Page 167 - Pierre Durand Collection Including Chinese Art and Porcelain Sothebys Jan 27 2022
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          TEODORO ARDEMANS (MADRID 1664-
          1726)
          Project for the portal of the Casa de la Villa
          in Madrid
          signed and inscribed ‘Theodoro Ardemana/ Scala
          de Pies castellanos’ and with inscription ‘4rs’
          (bottom center)
          black chalk, pen and brown ink, gray and red wash,
          on two pieces of paper
          24º x 13¬ in. (61.6 x 34.5 cm)
          $7,000-10,000
          PROVENANCE:
          with Galerie Kornfeld, 1978.
          Lodewijk Arnold Houthakker (1924-2008),
          Amsterdam (L. 3893); Christie’s, New York, 11
          January 1994, lot 108.
          EXHIBITED:
          Madrid, Museo Nacional del Prado, El Arte en la
          corte de Felipe V, 2002-2003, pp. 270-271, no.
          2.180, ill. (catalogue by J. M. Morán Turina).
          LITERATURE:
          P. Fuhring, Design into Art. Drawings for
          Architecure and Ornament. The Lodewijk
          Houthakker Collection, London, 1989, no. 834, ill.
          ‘International Auction Review’, Drawing, XV, no. 6,
          p. 138.
          Teodoro Ardemans was the son of a German
          guard to King Philip V. As a young man he was
          trained as a painter, but later worked mainly as
          an architect. The present drawing, the study
          for a portal for the Casa de la Villa in Madrid,
          documents the first important commission
          received in 1690-1691 by Ardemans soon after
          being appointed municipal architect. The many
          decorative elements, alluding to the royal family,
          and the guard standing by the portal, show
          Ardemans’ skill as a draftsman. Most sheets
          known by the artist are projects for temporary
          decorations, among them one in the British
          Museum (inv. 1846,0509.175; see M.P. McDonald,
          Renaissance to Goya. Prints and Drawings from
          Spain, exhib. cat., London, British Museum, 2012,
          pp. 189-192, ill.), and a drawing recently acquired
          by the Museo Nacional del Prado.


















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