Page 8 - South East Asian Art, December 4th 2020 Galerie Zacke Galerie Zacke
P. 8

Dear Collectors of Asian Art!






                     We are proud to present you with our second sale of
                     Southeast Asian art.

                     While our Ancient Gold from Southeast Asia sale last year
                     focused on gold objects, this time we have expanded the
                     offer to silver and gemstone objects, including a fascinating
                     collection of ancient gemstone talismans from the Samon
                     Valley culture and Pyu city-states.

                     These talismans of exceptional quality are all at least 1,000
                     years old, some of them possibly even from before the first
                     millennium AD. Every piece was personally examined by the
                     Burmese American archaeologist and gemologist Terence
                     Tan and the Hungarian gemologist Dr. József Takács, and their
                     respective analysis is included in every lot description.




















                     Temple ruins at Sri Ksetra, the largest Pyu site discovered thus far   Dr. István Zelnik and Dr. József Takács examining ancient gemstone talismans

                     As the title of this catalog indicates, most of the items in this
                     sale come from long-lost ancient kingdoms in Southeast Asia,
                     such as Champa in present-day central and southern Vietnam
                     (192-1832), the Khmer of Angkor in what is now Cambodia
                     (9th-15th century), and the Pyu city-states in modern Upper
                     Burma (2nd century BC to 1050 AD). These are some of the
                     better-known of the lost kingdoms represented in this sale, a
                     fascinating yet understudied subject which we hope to bring a
                     little closer to you with this catalog.

                     There are many similarities to be found between objects
                     hailing from these different regions, made by craftsmen who
                     never met or had any opportunity to exchange ideas, but
                                                   shared a mix of
                                                   influences from the
                                                   great empires of India
                                                   and China. When looking
                                                   through our catalog, the
                                                   deep cultural connection
                                                   between these often-
                     Drawing of Angkor Wat         warring states becomes   My Son, a Hindu temple complex in modern-day Central Vietnam
                     by Louis Delaporte, c. 1880   quite clear!            built by Cham kings
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