Page 174 - Sotheby's Chinese Art and Porcelain Auction New York September 12, 2018
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           A ‘LONGQUAN’ CELADON-GLAZED ‘CONG’ VASE   Several celadon-glazed cong vases can be seen in famous
                                                     collections throughout the world; one in the Shanghai
           SOUTHERN SONG DYNASTY
                                                     Museum is illustrated in Longquan qingci [Celadon of
           the archaistic form with a tall, square-section body between   Longquan], Beijing, 1966, pl. 15; one is published in the
           a short circular foot and neck, each long edge of the body   Illustrated Catalogue of Sung Dynasty Porcelain in the
           molded with eight raised horizontal bands within a raised   National Palace Museum. Lung-ch’uan Ware, Ko Ware and
           rectangular frame, a recessed central panel dividing the   Other Wares, Tokyo, 1974, pls 8 and 9; another from the
           frames on each side, covered overall in a lustrous celadon   Eumorfopoulos Collection and now in the Victoria and Albert
           glaze thinning to a pale bluish-white at the raised edges   Museum, London, is included in John Ayers, Far Eastern
           and pooling to seafoam-green at the recessed areas, two   Ceramics in the Victoria and Albert Museum, London, 1980,
           Japanese wood boxes (5)                   pl. 124; and a fourth example from the Oppenheim Collection
           Height 8½ in., 21.7 cm                    and now in the British Museum, London, is published in
                                                     Jessica Rawson, ed., The British Museum Book of Chinese
           PROVENANCE                                Art, London, 1992, pl. 8 left.
           Japanese Private Collection.
                                                     Compare also a vase of this type, from the Toguri Collection,
           Celadon vases of this type imitate archaic ritual jade   sold in our London rooms, 9th June 2004, lot 53; one from
           implements in shape and color and are one of the most   the Baron Hatvany Collection, included in the exhibition Song
           iconic types of Song ceramics. The form derives from jade   Ceramics, Southeast Asian Ceramic Society, Singapore,
           cong, which are open tubes, and are associated with the   1983, cat. no. 36, and sold in our London rooms, 5th
           Neolithic Liangzhu culture. A Þ ne example from the Shanghai   November 1996, lot 605; an example sold in our London
           Museum, Shanghai, was included in the exhibition Gems   rooms, 5th November 2014, lot 23; another, sold in the same
           of Liangzhu Culture, Hong Kong Museum of History, Hong   rooms, 13th May 2015, lot 106; one sold in our Hong Kong
           Kong, 1992, cat. no. 57.                  rooms, 4th April 2017, lot 3009; and a further one sold in our
                                                     London rooms, 16th May 2018, lot 75.
                                                     $ 50,000-70,000
                                                     ⋿⬳ġġġ漵㱱䩘曺慱䏖⺷䒞
                                                     Ը๕
                                                     㖍㛔䥩Ṣ㓞啷







































           172     SOTHEBY’S          IMPORTANT CHINESE ART
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