Page 188 - Sotheby's Chinese Art and Porcelain Auction New York September 12, 2018
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           A CARVED CIRCULAR CINNABAR       Lacquerware in the National Palace Museum,   another from a private collection, are illustrated
           LACQUER ‘LOTUS’ BOX AND COVER    Taipei, 2007, cat. no. 35. Another of a slightly   in the exhibition Carved Lacquer, Tokugawa and
                                            smaller size (2⅝ in., 6.7 cm) is in the Palace   Nezu Museums, 1984, cat. nos 86 and 87. A box
           MING DYNASTY, LATE 14TH / 15TH
                                            Museum, Beijing, illustrated in Zhongguo qiqi   and tray bearing a Zhou Ming mark was sold at
           CENTURY
                                            quanji, vol. 5, Fujian, 1995, pl. 34. A smaller box   Christie’s Hong Kong, 1st December 2010, lot
                                            (2 3/16 in., 5.5 cm) formerly in the collection of   3076.
           the box and cover both of domed form, well
                                            Carl Kempe is inscribed with a four-character
           carved through the multiple layers of cinnabar
                                            Xuande mark, illustrated by Fritz Low-Beer,   $ 40,000-60,000
           lacquer with central hexagonal lotus seed pods
                                            ‘Chinese Lacquer of the Early 15th Century’,
           framed by an interlocking lozenge band, the                        㖶⋩⚃ᶾ䲨㛓ġİġ⋩Ḽᶾ䲨ġġġ⇼䲭咖
                                            The Museum of Far Eastern Antiquities, no. 22,
           sides of the cover and box carved with stylized
                                            Stockholm, 1953, pls 2 and 3.     剙⺷味䙺
           lotus petals, the interiors lacquered black (2)

           Diameter 3⅛ in., 8 cm            A number of cinnabar lacquer boxes of this
                                            design are found together with a corresponding
           Boxes of the same size and design can be found                     254 No Lot
                                            tray, suggesting their intended use as utensils
           in the collection of the National Palace Museum,
                                            for the tea ceremony in temples in Japan. Two
           Taipei, included in the exhibition Carving
                                            sets, one from the Tokyo National Museum and
           the Subtle Radiance of Colors, Treasured
           186     SOTHEBY’S          IMPORTANT CHINESE ART
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