Page 221 - Sotheby's Chinese Art and Porcelain Auction New York September 12, 2018
P. 221

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            A PAIR OF ‘HUANGHUALI’            Horseshoe-back armchairs are derived from   A series of these joins connected together,
            HORSESHOE-BACK ARMCHAIRS,         chairs of nearly identical shape made of pliable   each forming a section of the overall curve of
            QUANYI                            lengths of bamboo, bent into a U-shape and   the U-shaped crestrail, created a single, strong
                                              bound together by natural Þ bers. These chairs   unit. When lacquered, the underlying joinery
            QING DYNASTY, 18TH CENTURY
                                              were lightweight, sturdy, and strong. Fast   was not visible and virtually impossible to wrest
                                              growing and plentiful, bamboo was powerfully   apart. For chairs made of huanghuali, zitan, or
            each with a slender, generously curved Þ ve-
                                              evocative to sophisticated urban dwellers of a   other hardwoods, the beauty of the wood grain
            segment toprail extending beyond the front
                                              simpler, rural life.              enhanced the appeal, and the sections were
            corner posts and terminating in outscrolled
                                                                                reinforced by hot animal glues.
            handgrips above shaped spandrels, the sinuous   The bamboo horseshoe-back armchair was
            S-form central splat ß anked by beaded and   an appealing design due to its lightweight,   For similar horseshoe-back chairs with barbed
            shaped ß anges, the hard-mat seat supported   sturdy and practical form. Moreover, bamboo   ß anged-splats and cusped aprons, compare
            underneath by two transverse stretchers, set   has many positive associations in Chinese   two pairs sold in these rooms, 19th March 2013,
            into the rectangular molded edge frame, all   culture. Over time, this popular design was   lot 484 and 15th March 2016, lot 27, and third
            above neatly cusped and beaded aprons with   interpreted in wood. The cabinet maker had   single armchair in our Hong Kong rooms, 5th
            long ß ange brackets on three sides, the back   to either bend the wood to make the curved   April 2015, lot 2848.
            with a plain spandreled apron, the legs of half-  crestrail, which was not possible with dense
            round section joined by stepped stretchers   tropical hardwoods, or construct it of lighter,   Ⴚ  $ 60,000-80,000
            above beaded aprons (2)           less durable woods that did bend. Desiring
            Height 40 in., 101.6 cm; Width 24 in., 61 cm;   to use beautiful tropical hardwoods, cabinet   㶭⋩ℓᶾ䲨ġġġ湫剙㡐⚰㢭ᶨ⮵
            Depth 18⅜ in., 46.7 cm            makers found a solution in an ingenious joinery   Ը๕
                                              technique that applied an equal amount of
            PROVENANCE                                                          䲸䲬Ἓ⢓⼿1996⸜3㚰28㖍炻䶐嘇254
                                              pressure to two sides of two interlocking
            Christie’s New York, 28th March 1996, lot 254.  slightly curved elements. The two pieces Þ t   䲸䲬喯⭴㭼2014⸜3㚰18军19㖍炻䶐嘇421

            Sotheby’s New York, 18th-19th March 2014,   together with a cut-out to accommodate a
            lot 421.                          tapered wood pin that when inserted put
                                              pressure on the two pieces, locking them Þ rmly
                                              in place.















































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