Page 20 - Indian, Himalaya and Asian Art Bonhams Setp 2015
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              A COPPER ALLOY FIGURE OF VISHNU
18 | BONHAMS  Northeastern India, Pala period, circa 11th century
              Seated on a rising lotus base with a donor figure in front, holding the
              chakra, conch, and two lotuses, the raised edges rubbed and worn
              from centuries of ritual handling.
              2 1/2 in. (6.4 cm) high
              $2,000 - 3,000

              印度東北部 帕拉時期 約十一世紀 毗濕奴銅像

              Given the unusual flattened circular lotus base, this figure likely
              appeared at the center of a sculptural lotus mandala, such as a closely
              related Vishnu mandala published in Kramrisch, The Art of Nepal, New
              York, 1964, p.64, no.14, or a Chakrasamvara mandala in Zangchuan
              Fojiao Zaoxiang-Gugong Bowuyuan Cang Wenwu Zhenpin Quanji,
              Hong Kong, 2008, pp. 122-3, no. 117. Also see Casey Medieval
              Sculpture from Eastern India, Livingston, 1985, pp. 44 and 71 nos. 19
              and 43, and Sotheby’s, New York, 6 October 1990, lot 300.

              Referenced
              HAR - himalayanart.org/items/33018

              Provenance
              Nagel Auktionen, 2000
              Private New York Collection

              11
              A COPPER ALLOY FIGURE OF VAJRATARA
              Northeastern India, Pala period, 11th century
              In padmasana on a stepped lotus pedestal, her hands holding the
              bow and arrow, conch, lotus, and displaying tarjani mudra, her four
              heads surmounted by a vajra crown.
              3 1/4 in. (8.2 cm) high
              $7,000 - 10,000

              印度東北部 帕拉時期 十一世紀 金剛度母銅坐像

              Vajratara is defined as being yellow in color with four faces and eight
              hands, peaceful in appearance. She is from the Vajrapanjara Tantra, an
              exclusive explanatory tantra in the Hevajra cycle of tantras. Vajratara is
              also included in the famous compendium of deity practices called the
              Vajravali compiled by Abhayakara Gupta.

              Northeastern Indian images, such as this exquisite example, became
              an enormous influence on the development of Tibetan art with (See
              lots 16, 17, 18 in this sale.) The representation of Tara in this form is
              very rare. Another example is on the cover, spine, and title page of
              von Schroeder, Indo-Tibetan Bronzes, Hong Kong, 2008, 1981, nos.
              73G&H and another sold at Sotheby’s, New York, 26 March 2003, lot
              41. For a discussion on the iconography of the deity, see Huntington
              and Huntington, Leaves from the Bodhi Tree, 1990, pp. 164-165.

              Referenced
              HAR - himalayanart.org/items/33017

              Published
              Ulrich von Schroeder, Indo-Tibetan Bronzes, Hong Kong, 1981, pp.
              276-7, no. 66F

              Provenance
              Private Collection, Berlin by 1981
              Nagel Auktionen
              Private New York Collection
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