Page 190 - JAPAN THE SHAPING OFDAIMYO CULTURE 1185-1868
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riors of the  Genji clan, Sasaki Shiro Taka-  chored a little  offshore.  The  warrior wore ar-  no chance of  escaping  from  the  Genji.
                  tsuna and Kajiwara  Genta  Kagesue,  mor  laced with  light green silk cords over a  Since you must die now, let it be my hand
                  emerged and raced  each other on horse-  twilled silk battle robe decorated  with  an  rather than  by the  hand of  another, for I will
                  back across the churning water.  Each  embroidered  design of cranes. On  his head  see that prayers  for your better fortune  in
                  hoped  to be the  first to reach  the  other  was a gold-horned helmet. He  carried a  the  next  world are  performed.
                  shore in order to launch the attack on  sword in a gold-studded  sheath and  a bow  (Translated in Kitagawa and Tsuchida  1975, vol.
                  Yoshinaka's garrisons. Both warriors were  bound with  red lacquered rattan. His quiver  2, 561-562.)
                  mounted  on horses that had been personal  held a set  of  black  and  white feathered ar-  When the youth was beheaded,
                  gifts  from  Yoritomo, in recognition  of their  rows, the  center of each feather bearing a  Naozane found a flute in a brocade  pouch
                  valor. Sasaki rode a dark chestnut  horse  black  mark. He  rode a dappled  gray  horse  tucked around the youth's body. The
                  named Ikezuki and  Kajiwara  a black horse  outfitted  with  a gold-studded  saddle. He was  youth was soon identified as Atsumori, an
                  named  Surusumi, both  Yoritomo's most  swimming  at a distance of five  or six  tan  outstanding flute player, only  seventeen
                  coveted  horses. The  two warriors plunged  [that is, more than  100 feet] when  Nobu-  years of age, and a son of Tsunemori,  the
                  into the  river, Kajiwara  with a slight head  zane  roared at him:  You out  there! I believe  chief of the department  of construction  at
                  start, but  Sasaki, by clever trickery, outdis-  you  are a great general. It  is cowardly  to  turn  the Imperial Palace. The flute was the fa-
                  tanced  Kajiwara.                   your back on your enemy.  Come  back!  mous flute named  Saeda (Small Branch),
                      In the screen  the two horses trot to-  Naozane  beckoned to him  with  his  fan.  originally owned by Emperor  Toba (r.
                  ward the water's edge. Between the  gold  Thus  challenged, the  warrior turned  his  1107-1123). Kumagae, deeply  disturbed  by
                  clouds a section  of the  ruined  Uji Bridge is  horse around. When  he reached the beach,  the event, later took the tonsure  and  spent
                  visible. Kajiwara's black horse braved  the  Naozane  rode alongside, grappled  with  him,  the  remainder of his life as a Buddhist
                  churning water first, eighteen  feet  ahead  and wrestled him  to the ground. As  evangelist.
                  of Sasaki who from  behind  shouted  that  Naozane  pressed down  his opponent  and re-  The  screens are traditionally at-
                  Kajiwara's horse's girths needed  tighten-  moved  his helmet  to cut  off  his head, he  tributed to a minor painter, Yano Saburô-
                  ing. While the  gullible Kajiwara, in mid-  saw before  him  the  fair-complexioned  face  hyôbei Yoshishige, who served Hosokawa
                  stream, attended  to this problem, Sasaki  of  a boy no more than  sixteen  or seventeen.  Sansai (1563-1646) at Kokura, Kyushu, and
                  overtook him and reached  the  opposite  Looking  at this face,  he recalled his son,  his son Tadatoshi (1586-1641), daimyo of
                  shore  first.                       Naoie. The  youth  was so handsome  and in-  Higo Province (now Kumamoto Prefec-
                      The  left  screen  depicts an  episode  nocent that Naozane,  unnerved,  was unable  ture). The  painting shows technical mas-
                  soon after the battle at Ichinotani,  Harima  to find  a place to strike with  the blade of  his  tery reminiscent  of the professional  Kano
                  Province (part of Hyôgo Prefecture,  near  sword.... He thought  to himself:  The  studio tradition, which far exceed  our ex-
                  Kobe), which occurred  one month  after  slaughter of  one courtier cannot conclu-  pectations  of a provincial painter.  YS
                  the Uji River episode.  The  Genji defeated  sively  effect  this war. Even  when  I saw that
                  the Heike at Ichinotani,  and the  Heike sur-  my son, Naoie, was slightly wounded, I  no  Maps of the world and of Japan
                  vivors fled the  shore toward the fleets.  could not  help  feeling  misery. How much  pair of six-fold  screens; ink, color,  and
                  One of the  ablest ranking warriors of the  more painful  it would be if'this  young war-  gold leaf on  paper
                  Genji troops, Kumagae Nobuzane, pur-  n'or's father  heard that  his son had been  each  163.8 x 379.6 (64^2 x 149^2)
                  sued them.  The painting depicts the sub-  killed. I must spare  him  ! Looking  over his  Edo  period, after 1632
                  sequent  events, described  in the  Tale.  shoulder, he saw a group of  his comrades
                      As he was riding to the beach, he  galloping  toward them. He suppressed  his  Jótokuji, Fukui  Prefecture
                   caught sight of  a fine-looking  warrior urging  tears and  said: Though  I wish to spare your  Important  Cultural  Property
                   his horse into the sea toward a boat an-  life,  a band of  my  fellow  warriors is ap-
                                                      proaching, and there are so many others  This  striking pair of screens,  one a map of
                                                      throughout  the countryside that you have  the world and the  other  a map of Japan, re-

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