Page 249 - JAPAN THE SHAPING OFDAIMYO CULTURE 1185-1868
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         cuirass and top two rows of the  kusazuri  of white and then  cross-stitchings of red.  151 Haramaki  armor
         and the top three rows of the  ôsode are  As was common  in the  earlier oyoroi, mul-  iron, leather, lacquer, silk, gilt  metal
                                                                                                 1
         made of alternating leather and iron lames  ticolored lacing borders many of the  parts.  cuirass h. 26.1 (lo /^
         to protect  vital areas; the remaining tiers  The  metalwork of gilt chrysanthemums  Muromachi  period,
         are made completely  of leather  lames.  and the leather stencil-dyed with shishi on  first half loth century
         Typical of haramaki, the  five-tiered kusa-  a background of peonies are similar to
         zuri is divided into seven sections, as com-  those in cat.  146, though  on a much-  National Museum  of Japanese History,
         pared with the  four sections  in óyoroí, and  reduced  scale.             Chiba  Prefecture
         the eight sections common  in dômaru.  Although partially repaired in the  Edo  Important Cultural Property
             The tiers have been joined  together  period, this set of armor is complete  in its  In its general construction,  size, and in
         with lacings of different  colors,  as in cat.  constituent  parts and represents  a classic  most of the  details, this set of haramaki is
         148. The  lacing pattern  of the  central por-  example of Muromachi-period  haramaki.  similar to cat.  150. Differences  between
         tion of the  set, consisting of the cuirass  It is said to have been  used by Hosokawa  the two include  the color of the lacing of
         and the pendant  kusazuri, is echoed by  Yorimoto (1343-1397), and  was passed  some of the tiers and the  slightly more nar-
         that of the ôsode. On both, the upper  tiers  down through generations of the Na-  row form of the  cuirass. This set is also ex-
         are bound by, in descending order, white,  beshima family, daimyo of a domain in Hi-  tremely  well preserved,  though some of
         red, and then  white lacings.  Below are  zen Province in Kyushu. The  Nabeshima  the lacing is damaged and a few of  the
         tiers joined together  with indigo-dyed  were closely involved with the develop-  small pieces  of gilt metalwork are mis-
         leather  thongs. At the bottom are lacings  ment  of the ceramic industry in their  fief,  sing.     AMW
                                             including Karatsu ware (cats. 248, 249) and
                                             Nabeshima ware (cats. 258, 259).  AMW



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