Page 347 - JAPAN THE SHAPING OFDAIMYO CULTURE 1185-1868
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         the Kanbun style the front and back of the  On  the back of this kosode, large over-  A close look at the  embroidered  ma-
         garment are each a single field  for a mark-  lapping maple leaves form the arc across  ple leaves reveals that they are solidly
         edly asymmetrical design depicted  quite  the shoulders to the right hem,  with the  paved with cherry blossoms—a kind of sur-
         large, even  in closeup. The  primary design  red figured satin (rinzu) background ex-  real juxtaposition much favored in kosode
         field  was the back, on which the  design  posed on the left. The  maple leaves, out-  designs of the early Edo period. The  com-
         formed  a dramatic arc across the  shoulders  lined with gold, are of two types. Some are  bination  of cherry blossoms and  maple
         and down the right side, leaving the  left  depicted  in kanoko shibori, literally, "fawn-  leaves evokes for the Japanese their two fa-
         side undecorated.  Kosode decorated  in this  spot" shibori, referring to the  allover dap-  vorite seasons, spring and  fall.
         striking style were favored by the  then-  pled pattern  of small white spots, each  Other similar Kanbun-style decora-
         economically powerful merchant  sector of  centered on a dot of the background  color.  tive schemes  can be seen  in the  Shinsen
         society, but  were also widely popular  with  These diagonal rows of tiny white  circles  onhiinagdta, a kosode design book pub-
         other  classes.                     were produced  by pinching off successive  lished in 1666,  the  sixth year of the Kan-
             An order book of the  Kariganeya ko-  bits of fabric along the  bias and  binding  bun  era.        KS
         sode design house illustrates Kanbun styles  each bit tightly with waterproof thread or
         ordered  by Tôfukumon'in  (1607-1678),  fiber, except  at the tip, before  immersion
         daughter  of the  second Tokugawa shogun,  in the dye bath. Gold embroidery  picks
         Hidetada, and consort  of Emperor  Go-  out the veins and forms tiny globes of dew
         Mizunoo.                            on the shibori leaves. The  remaining
                                             leaves are rendered  in gold and white em-
                                             broidery against brush-applied black dye
                                             (hikizome).



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