Page 144 - Art De' Asie Christie's Paris December 16, 2022
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THE MARX COLLECTION OF CHINESE ART
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          RARE JARRE COUVERTE EN PORCELAINE ÉMAILLÉE JAUNE ET
          ROUGE
          CHINE, DYNASTIE MING, MARQUE À SIX CARACTÈRES EN BLEU
          SOUS COUVERTE ET ÉPOQUE JIAJING (1522-1566)
          La  panse  ovoïde  terminée  par  un  petit  col  droit  circulaire  est  à  décor  en   Red  and  yellow  dragon  jars  appear  to  have  been  made  in  three  different
          jaune sur fond rouge de deux dragons à cinq griffes à la poursuite de la perle   versions  that  vary  slightly  in  size,  design  and  form.  This  jar  belongs  to  the
          enflammée  parmi  les  nuées  surmontant  des  vagues  s'écrasant  contre  des  group of the largest size and comparable examples can be found in museums
          rochers et une frise de têtes de ruyi soulignant le bord inférieur. Le couvercle   around the world. Few from private collections ever come to the market. A
          est orné d'un décor similaire.
          Hauteur : 27 cm. (10v in.)                          closely-related jar measuring 21.8 cm high is in the collection of The British
                                                              Museum, London, donated by Harvey Heddon in 1930, 0719.48, and illustrated
          €60,000-100,000                    US$60,000-100,000  by  Jessica  Harrison-Hall  in  Ming  Ceramics  in  the  British  Museum,  London,
                                                £53,000-88,000  2001, no.9:90; another in the Palace Museum Collection, Beijing, is illustrated
                                                              in  Complete  Collections  of  Treasures  of  the  Palace  Museum.  Miscellaneous
          PROVENANCE:                                         Enamelled Porcelain, Plain Tricoloured Porcelains, Shanghai, pl.50; two further
          John Sparks Ltd Insurance Valuation, dated 1953, listed as number 37.
          Collection of Robin Marx (1923-1975), UK, and thence by descent within the   jars  were  included  in  the  International  Exhibition  of  Chinese  Art,  Royal
          family.                                             Academy, London, 1935-1936, one with a cut-down neck from the collection
                                                              of  Dr  E  Haltmark,  Stockholm,  Sweden,  no.  1949,  and  the  second  from  the
          A RARE RED AND YELLOW-ENAMELLED ‘DRAGON’ JAR AND COVER  Museum fur Kunst und Gewerbe, Hamburg, Germany, no.1952.
          CHINA, MING DYNASTY, JIAJING SIX-CHARACTER MARK IN
          UNDERGLAZE BLUE AND OF THE PERIOD (1522-1566)       A closely related jar, 21 cm high, but with no cover, is illustrated in Mayuyama
          馬克思中國藝術珍藏                                           Seventy  Years,  Tokyo,  Japan,  1976,  p278,  no.  832.  The  same  publication
          明嘉靖 黃地紅彩龍㌻蓋罐 青花六字楷書款                                illustrates two further red and yellow enamel dragon jars with more waisted
                                                              forms  representing  the  two  smaller  sizes:  the  first  measuring  11  cm  high,
          ֶⓀ
                                                              illustrated p 278, no. 833; and the second jar, from from the collection of The
          英國ਔ董商-RKQ 6SDUNV /WG 保險估價      年    號               Museum Yamato Bunkakan, Japan, measuring 13.5 cm diameter, illustrated
          英國藏家羅賓g馬克思            珍藏  ਾ家族傳承
                                                              on p 278, no. 834.
          The striking red and yellow combination is a distinctive colour scheme of the   A  red  and  yellow  enamel  'dragon'  jar,  13.4  cm  high,  from  the  Manno  Art
          Jiajing  period  but  to  produce  these  enamels  on  porcelain  was  a  technically   Museum was sold at Christie's Hong Kong, 28 October 2002, lot 540. The
          challenging process. The failure rate was high and these jars are rare survivors.   present jar is closely related to the example sold at Sotheby's Hong Kong, 7
          Three firings were required: first at around 1300 °C for clear-glazed porcelain,   October 2015, lot 3659, that measured 20.2cm high but which had no cover.
          then at a lower temperature for the yellow overglaze enamel, and finally at a
          still lower temperature for the black outlines and the iron-red background.






































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