Page 69 - Art De' Asie Christie's Paris December 16, 2022
P. 69

60
 PAIRE DE GRANDS BRÛLE-PARFUMS COUVERTS TRIPODES EN
 ÉMAUX CLOISONNÉS ET BRONZE DORÉ
 CHINE
 Ils sont formés de quatre éléments superposés. La panse arrondie terminée
 par un col évasé à décor de lotus parmi les rinceaux feuillagés repose sur une
 base munie de trois pieds en forme de têtes d'éléphant dorées parées de bijoux
 alternés avec des réserves abritant des dragons archaïsants stylisés sur fond
 turquoise. Les trois éléments cylindriques ajourés formant le couvercle sont
 décorés de chauves-souris en vol entre des bandeaux à décor de lotus sur le
 registre inférieur, autour de réserves quadrilobées contenant des dragons
 archaïsants affrontés sur le deuxième registre, et sous des phénix affrontés
 parmi les pivoines, chrysanthèmes et rinceaux feuillagés dans quatre larges
 réserves en forme de tête de ruyi sur l'élément supérieur. Le couvercle est muni
 d'une imposante prise globulaire ajourée figurant un dragon à cinq griffes à la
 poursuite de la perle enflammée parmi les nuées.
 Hauteur : 95 cm. (37¡ in.)  (2)
 €50,000-70,000   US$51,000-71,000
    £44,000-61,000
 PROVENANCE:
 From a private European family collection acquired in the French market, by
 repute.

 A PAIR OF MAGNIFICENT AND MASSIVE CLOISONNÉ ENAMEL AND
 GILT-BRONZE COVERED BRAZIERS
 CHINA
 掐絲琺瑯鏤雕蓮紋象足大熏爐 一對
 來源:
 歐洲私人舊藏,傳購自法國藝術品市場
 Multi-tiered cloisonné braziers or censers of this shape and of this large size
 appear to be very rare and our present lot pays tribute to the best examples of
 this kind under the Qianlong’s reign.A similar pair of magnificent imperial bra-
 ziers, dated Qianlong period, also with rounded sides and elephant-head feet
 from the Kitson and C. Ruxton & Audrey B. Love collections was sold at Chris-
 tie’s New York, 20 October 2004, lot 354. See another impressive
 Qianlong brazier which is highly comparable to our present
 lot, sold at Sotheby’s London, 13 May 2009, lot 37. Also com-
 pare with a smaller octagonal censer with three sections and
 less elaborate finial and feet as well as an octagonal three-tiered
 brazier of smaller size in the Palace Museum, Beijing, illustrated in Enamels
 (3) - Cloisonne in the Qing Dynasty (1644-1911), Compendium of Collections in
 the Palace Museum, Beijing and Anhui, 2011, p. 277, no. 238 and p. 279, no.
 240 respectively. During the Qing dynasty, these braziers were decorative art
 objects of the highest quality, but they were also made to be used. The most
 convenient form of heating in the Imperial palaces was braziers. Beijing gets
 very cold in winter and the limited under-floor heating, few stoves and heat-
 ed kang were not sufficient to keep the inhabitants of the Forbidden City even
 moderately warm. The tradition of using three elephant heads as the feet of
 imperial bronze censers and braziers at the Beijing Palace can be traced back
 at least as far as the Xuande reign (AD 1426 - 35). An example of a censer,
 bearing a six-character Xuande reign mark, on which the elephants balance on
 their rolled trunks, as on the current censers, is in the collection of the National
 Palace Museum, Taipei, and illustrated in A Special Exhibition of Incense Burn-
 ers and Perfumers Throughout the Dynasties, National Palace Museum, Taipei,
 1994, p. 199, no. 54. A much smaller (H: 27.8 cm.) cloisonné censer standing
 on three elephant’s heads from the Ming dynasty Jingtai reign (AD 1450 - 56)
 in the collection of the National Palace Museum, Taipei, is illustrated in Mas-
 terpieces of Chinese Enamel Ware in the National Palace Museum, Japan, 1971,
 no. 3. And cloisonné censers on three gilded elephant heads that still stand at
 the foot of the steps leading up to the imperial throne in the Hall of Supreme
 Harmony in the Beijing Palace are illustrated ibid.., La Cité Interdite, p. 9, fig. 6.




 66
   64   65   66   67   68   69   70   71   72   73   74