Page 35 - Chinese Works of Art and Buddhist sculpture, June 18, 2018 Galerie Zacke
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 A QING DYNASTY WHITE AND RUSSET JADE ‘BAT
 AND LOTUS’ GROUP
 White jade with sparse russet inclusions, smooth surface
 polish
 China, Qing Dynasty

 This fine white jade pebble combines the two auspicious
 motifs of the lotus and the bat in an ornate composition.
 The carving in openwork is of high quality and the
 very sparse russet inclusions add to the overall elegant
 appearance. This example could either be used as a
 paperweight or worn as a pendant.
 Shape: Figural, longish shape with reticulation
 Dimensions: 7,2 cm (height), 4,2 cm (length), 2,5 cm
 (width)
 Condition: Good condition with fine hand patina and few
 tiny notches
 Provenance: American Private collection

 Literature comparison: Sotheby’s, PLAYTHINGS FROM THE
 COLLECTION OF EDWARD T. CHOW, CHINESE CERAMICS
 AND WORKS OF ART, 27 MAY 2014, HONG KONG lot 73
 (for a white and russet jade carving with a similar subject
 and of the same period and size).

 㶭ẋ䘥䌱Ⱦ圁圈丷㝅ȿ
 ⑩䚠列⤥炻⊭㻧䳘兑炻⸦嗽庽⽖䡽䡘
 伶⚳䥩Ṣ㓞啷
 Estimate EUR 500,-  28
 Starting price EUR 250,-  A SUPERBLY CARVED WHITE JADE GROUP   Shape: Sculptural
              OF FINGER CITRONS, QING DYNASTY, 18TH   Dimensions: 9 cm (height)
 27           CENTURY                         Condition: Excellent
 th
 AN 18  CENTURY CELADON AND RUSSET JADE   White jade of high purity, with a good patina   Provenance: American private collection
 ‘PEACH AND BATS’ PEBBLE   and smooth surface finish
 Light celadon color jade with russet inclusions, smooth   China, Qianlong period 1736-1795   Literature comparison: Compare further
 surface polish                               examples of finger citron, such as one in
 th
 China, 18  century or possibly earlier    The naturalistically carved ‘Buddha’s hand’   the Seattle Art Museum, Seattle, illustrated
              attached to a leafy gnarled stalk suspending a   in James C.Y. Watt, Chinese Jades from the
 This jade pebble is carved in the shape of a peach with   smaller attendant fruit, its ‘fingers’ extending   Collection of the Seattle Art Museum, Seattle,
 a little bat sitting on it and which is carved in high relief.   sinuously and mingling at their tips, the   1989, pl. 79; another in the Alan and Simone
 Natural russet color inclusions in the material have been   translucent stone of an attractive even white   Hartman collection, illustrated in Robert
 used to highlight the creature and the darker colored tip   color.   Kleiner, Chinese Jades from the Collection
 of the fruit.                                of Alan and Simone Hartman, Hong Kong,
              A remarkable aspect of this carving is that both   1996, pl. 202; a third one in the Muwen Tang
 The peach is a symbol of longevity, and the word for   fruits are rendered in an early state of decay,   Collection of Chinese Jades. Sotheby’s, Hong
                                                          st
 bat in Chinese is fu which is a homophone for ‘blessing’.   with their original form still being fully intact,   Kong, December 1 ,2016, lot 11.
 Together the bat and peach form ‘fushou shuang quan’, a   but the skin already showing some insect bite      Naturalistic ‘insect bite’ carving
 wish for good fortune and long life.   and related signs of deterioration. By adding   㶭ẋ⋩ℓᶾ䲨䘥䌱晽⇣ἃㇳ   ġto Jade surface
              these minor yet clever details, the artist has   䘥䌱炻檀䲼炻⊭㻧䳘兑炻堐朊⃱㹹  ġ
 Shape: Figural rounded shape, two holes for suspension   breathed more life into his work than seen on   ᷕ⚳炻Ḧ昮(1736-1795)   ġ
 Dimensions: 5,2 cm (height), 6,5 cm (length), 2,7 cm (width)  most other depictions of this subject matter.      ġ
 Condition: Good condition with extensive hand patina      冒䃞⛘晽⇣䘬“ἃㇳ”忋㍍叿ᶨᾳ㝅叱䷩努䘬䰿  ⯢⮠烉檀9 cm
 Provenance: American private collection, collector’s   Exquisitely modelled and polished to a smooth   匾炻ㆠ㍃叿庫⮷䘬⮷㝄⮎炻⬫䘬“ㇳ㊯”⮾䪗⺞Ỡ  ⑩䚠㤝⤥
 number to underside    yet highly tactile finish, the present piece is an   ᷎㶟⎰⛐ᶨ崟ˤ忁⟲䘥䌱⋲德㖶㤝℟忁⏠⺽≃ˤ   伶⚳䥩Ṣ㓞啷
              impressive display of the technical expertise of                 㔯䌣⍫侫烉℞Ṿἃㇳἄ⑩炻⎗夳大晭⚾伶埻棐炻
 Literature comparison: Sotheby’s, QING DYNASTY JADES   craftsmen working during the Qianlong period.   征ẞ晽⇣ἄ⑩䘬ᶨ᷒㗦䛨䈡䁡㗗炻᷌䥵㝄⭆悥⢬  啷⑩↢䇰ḶJames C.Y. Watt˪大晭⚾伶埻棐ᷕ⚳
 FROM A HONG KONG COLLECTION, 01 JUNE 2017, HONG   The Buddha’s hand citron, which takes its name   Ḷ堘侩䘬㖑㛇䉞⾩炻℞⍇⥳⼊⾩⬴⤥㖈㌇炻Ữ堐  䌱☐㓞啷˫炻大晭⚾炻1989, ⚾ 79烊℞Ṿ⤪ Alan
 KONG, lot 45 (for a comparable peach and bat group, yet   from the shape of its fruit that resembles the   䙖⶚乷↢䍘ᶨṃ㖮嘓⎖⑔␴䚠ㅱ䘬堘侩御尉ˤ   and Simone Hartman collection, ↢䇰Ḷ Robert
 of larger size)   idealized digit-form fingers of the Buddha,   忂彯⡆≈征ṃ⮷Ữ奨⮇䳘⽖䘬乮刪炻刢㛗⭞ᷢṾ  Kleiner ˪Ἦ冒Alan and Simone Hartman㓞啷䘬
              has a strong fragrance and is used as an altar   䘬ἄ⑩㲐ℍḮ㚜⣂䘬䓇␥炻侴ᶵ㗗⤪℞Ṿ⣏⣂㔘  ᷕ⚳䌱☐˫楁㷗炻1996, ⚾ 202; 䫔ᶱẞ⛐ ˪Ḽ⽟
 ⋩ℓᶾ䲨曺䌱Ⱦ䤷⢥ȿⰙ⫸  offering during the New Year celebration.   Ṣ⮡征᷒ᷣ桀䘬⇣䔓ˤ          ⅘㶭—㰸㔯➪啷ᷕ⚳䌱晽˫炻喯⭴㭼炻楁㷗炻2016
 ⑩䚠列⤥炻⣏朊䧵䳘兑⊭㻧   The first character of its name fo, is a pun for                ⸜12㚰1㖍炻11嘇㉵⑩ˤ
 伶⚳䥩Ṣ㓞啷炻䌱ㆺℭ“⎗夳啷⭞䶐嘇  fu (‘blessings’ and ‘riches’), while the second   䘥䌱堐朊⃱㽌䳘兑炻忁ẞἄ⑩㗗Ḧ昮㗪㛇ⶍ⋈Ᾱ
              character, shou, is homophonous for longevity.  䘬檀㸃晽⇣㈨埻ẌṢ⌘尉㶙⇣䘬慵䎦ˤ  Estimate EUR 1.000,-
 Estimate EUR 500,-  Fitted hardwood base.    晐⼊侴晽                             Starting price EUR 500,-
 Starting price EUR 250,-




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