Page 17 - Qianlong Porcelain, Yancai Enamels
P. 17

Musillo,  Marco.  “Mid-Qing  Arts  and  Jesuit  Visions:  Encounters  and  Exchanges  in
               Eighteenth-Century Beijing.” In Ai Weiwei: Circle of Animals, edited by Susan Delson, 146–
               61. Munich-London-New York: Prestel Publishing, 2011.

               ———. The Shining Inheritance: Italian Painters at the Qing Court, 1699-1812. Los Angeles:
               Getty Research Institute, 2016.
               Rubin, William Stanley. “Primitivism” in 20th Century Art: Affinity of the Tribal and the
               Modern. Museum of Modern Art, 1984.
               Said, Edward W. Orientalism. Pantheon Books, 1978.

               Soja,  Edward  W.  Postmodern  Geographies:  The  Reassertion  of  Space  in  Critical  Social
               Theory. Verso Books, 2010.

               Wakeman,  Frederic  Jr.  “High  Ch’ing:  1683–1839.”  In  Modern  East  Asia:  Essays  in
               Interpretation, edited by James B. Crowley, 1–61. New York: Harcourt, Brace & World, 1970.

               Wang, Min 王敏. “Tianzhu Yifa yu aotuhua xi 天竺遺法與凹凸花析 (Analysis of Tianzhu
               Yifa and Concave and Convex Pattern).” Zhuangshi, no. 11 (2008): 94–95.
               White, Richard. The Middle Ground: Indians, Empires, and Republics in the Great Lakes
               Region, 1650–1815. New York: Cambridge University Press, 1992.

               Wu, Di 吳迪. “Lun Dunhuang bihua gongbi zhongcaihua yu xiyu aotu yunranfa de guanxi 論
               敦煌壁畫工筆重彩畫與西域凹凸暈染法的關系.” Dangdai jiaoyu lilun yu shijian 3, no. 06
               (2011): 151–54.
               Zhu, Yuping 朱裕平. Yuandai Qinghuaci 元代青花瓷 (Blue and White Porcelain from Yuan
               Dynasty). Shanghai: Wenhui chubanshe, 2000.




























                 The SOAS Journal of Postgraduate Research, Volume 13 (2019-20)                        94
   12   13   14   15   16   17   18   19   20   21   22