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              A gilt zitan figure of Avalokiteshvara
              Tibet, circa 15th century
              With three heads and the primary hands in anjali mudra, his robes with
              traces of finely detailed floral gilt decoration.
              11 1/4 in. (28.5 cm) high
              $20,000 - 30,000

              The tradition of carving statues from sandalwood originates in India,
              the prototype being the famous image purportedly commissioned
              during Buddha’s lifetime by King Uddayana of Swat Valley.

              In the Tibetan context, the famous Nepalese sandalwood image
              of Arya-Avalokiteshvara at the Potala, tentatively dated 7th/8th
              century, served as the inspiration for numerous copies, establishing
              a tradition of sandalwood carvings in Tibet. See von Schroeder,
              Buddhist Sculptures in Tibet, Hong Kong, 2001, vol. II, pp. 820-5,
              nos. 195 & 196. Two other zitan figures of Avalokitesvara were sold
              Sotheby’s, London 13 June 1979, lot 52, and Sotheby’s, London, 11
              October, 1995, lot 544.

              Referenced
              HAR – himalayanart.org/image.cfm/41222.html

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              A copper alloy figure of Nairatmya
              Tibet, circa 15th century
              Seated in yogasana with the toes of her left foot resting on the
              encircling sashes incised around her, she places the curved knife to
              the kapala, focusing her gaze intently on the ritual action.
              8 3/8 in. (21.2cm) high
              $15,000 - 20,000

              The enigmatic sculpture emits a serene but assertive presence.
              Nairatyma is the consort of Hevajra and second in the lineage of the
              ‘Path with the Result’, which she transmitted to Virupa, the first human
              master. A closely related example of the latter, possibly from the same
              set was sold at Sotheby’s, New York, 24 September 1997, lot 98.

              The Tibetan inscription around the base reads:
              ‘The fully ordained monk Sonam Yeshe pays homage to Nairatmya.
              This image has been created for the welfare of my mother.’

              Referenced
              HAR – himalayanart.org/image.cfm/41239.html

              Published
              Pratapaditya Pal, Tibet: Tradition and Change, Italy, 1997, p. 132, no. 66.

              Exhibited
              Tibet: Tradition and Change, The Albuquerque Museum, 18 October
              1997 - 18 January 1998, no. 132.

              Provenance
              Navin Kumar, New York, 1985
              Private US Collection

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