Page 98 - Bonhams Himalayan, Indian Art march 2015
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              A copper alloy figure of Skanda
96 | BONHAMS  South India, Nayak period, 17th century
              The youthful deity standing alert on a footed
              base in front of an elaborate back plate,
              holding lotuses in each hands, wearing
              nothing but jewelry gracing his generous form
              and a headdress securing his royal chignon,
              the sirischakra behind.
              11 in. (28 cm) high
              $7,000 - 10,000

              Skanda, the second son of Siva, and
              the younger brother of Ganesha, is also
              known as Kumara, Karttikeya, Shanmukha,
              Subrahmanya. As Shanmukha, he is
              worshiped throughout Southern India in
              dedicated temples. In this aspect he is
              typically associated grouped with his parents
              in Somaskanda representations. Compare
              with a more conventional example from a
              Somaskanda shrine formerly in the Pal Family
              Collection sold at Christie’s, New York, 20
              March 2008, lot 346.

              Provenance
              Private California Collection, acquired in
              Tokyo in 1971

              64
              A copper alloy figure of Buddha
              Burma, circa 17th century
              Seated in padmasana on a pierced openwork
              base with two attendants in supplication on
              either side, Buddha’s hands in meditation
              supporting a covered vase.
              23 12 in. (56.7 cm) high
              $30,000 - 50,000

              Its narrow face and attenuated body is typical
              of the Burmese later Arakan style of the
              17th century. Compare with a closely related
              example in the British Museum (1880.4070),
              published in Zwalf & Oddy, Aspect of Tibetan
              Metallurgy, London, 1981, no. 14.

              Although these images are usually
              recognized as Amitayus, Gutman argues
              that in the absence of other indications of
              Mahayana Buddhism at Arakan, we are
              lead to conclude that the form was adopted
              in the kingdom whilst the figure was still
              worshipped as Buddha (Burma’s Lost
              Kingdoms: Splendours of Arakan, Bangkok,
              2001, pp. 149-150). Compare with another
              figure in Gutman and Stadtner (ed.), The Art
              of Burma, 1999, p. 63, fig. 11. For an earlier
              example of the type, see Sotheby’s, New
              York, 5 December 1992, lot 138.

              Provenance
              Private German Collection, before 1980
              Acquired in London 2002
              Private European Collection
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