Page 106 - 2019 October Qing Imperial Porcelain Sotheby's Hong Kong
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           A FINE CELADON-GLAZED JAR AND COVER       清雍正   粉青釉蓋罐
           MARK AND PERIOD OF YONGZHENG
                                                            《大清雍正年製》款
           the ovoid body potted with curved sides rising to broad
           shoulders sweeping up to a short constricted neck, the small   來源:
           cylindrical cover with a flat top and rounded sides, covered   或香港蘇富比1978年11月28日,編號187
           overall evenly save for the unglazed footring of the vessel
           and the rim of the cover in an attractive pale celadon glaze,
           the countersunk base inscribed in underglaze blue with a six-
           character reign mark within a double circle
           14.5 cm, 5⅝ in.
           PROVENANCE
           Probably Sotheby’s Hong Kong, 28th November 1978, lot
           187.

           HK$ 800,000-1,200,000
           US$ 103,000-154,000








           Covered in an attractive celadon glaze, the graceful form of
           this piece represents an archetypal design of the Yongzheng
           period. Small jars of this shape were used to store tea leaves
           and are known either with a cylindrical lid that gracefully
           concealed their short neck and mouth, or with a domed
           cover.
           A closely related jar, in the National Palace Museum, Taipei,
           is illustrated in the catalogue to the museum’s exhibition
           The Far-Reaching Fragrance of Tea. The Art and Culture of
           Tea in Asia, Taipei, 2015, p. 143, fig. 2; a pair was sold at
           Christie’s Hong Kong, 20th March 1990, lot 610; two jars
           lacking the cover were sold in these rooms, the first from the
           Goldschmidt collection, 13th November 1990, lot 59, and the
           second, 23rd October 2005, lot 369; and another was sold in
           our London rooms, 1st/2nd April 1974, lot 267.
           Jars of this form are also known painted in underglaze blue,
           such as two in the National Palace Museum, Taipei, included
           ibid., p. 143, pls 1 and 3.


















                Mark



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