Page 43 - Lieber Collection Chinese Art
P. 43

FIG. 1
                    The drawing room of Fonthill House,
                    19th June, 1888. By permission of Historic
                    England Archive
                    ృ̭
                    ᩫᆞᅲ჏ᐠ,1888Ꭱ6ᰵ19ᬒ
                    ⚔❴ᢵ‷: Historic England Archive

























                          th                                   th
                    rooms, 4  November 1969, lot 182, and again in these rooms, 29   ںजࣰ㔰ڣЃᅧᄥⰥ䓾҉Ҹ喑㎗删ܝ㟞ࡶృ喑
                    March 2011, lot 2; and a pair depicting ladies on a terrace playing a
                                                                  ࠲᠙̭ᄺ喑㫼䛹᫜᱙ऑ❫᱙ധႶ㒻㶀乕喑ృ䠱᫩
                    game of go, that pair was also formerly in the collection of Alfred
                                                                  Maria Antonia Pinto de Matos,ȨPorcelana Chine-
                    Morrison at Fonthill House, and was sold at Christie’s, London, 18
                                                               th
                                                       th
                    October, 1971, lot 30, and then in our Paris rooms, 27  June, 2001,  sa/Chinese  Porcelainȩ喑䛹᫜᱙,  2003Ꭱ喑ృ❵
                    lot 316.                                      58喠ओ㺸̭ᄺ喑ᆙEdmund  de  Rothschild,  Esq.
                    Comparable vases of this size with elaborately decorated borders, but  T.D㜷㫼喑ږᏓਜ਼᫩՘᪓Ҡธᓄ喑ٵᒹ◧1975Ꭱ
                    painted with phoenixes amongst flowers, include a pair in the Museu
                                                                  7ᰵ28ᬒ喑㌕㮌181ࣷ1996Ꭱ6ᰵ10ᬒ喑㌕㮌135喠
                    Calouste Gulbenkian, Lisbon, illustrated in Maria Antonia Pinto de
                                                                  ں㺸̭૛⨣Ҹ喑ܧ㜗Hon. Mrs. Ronal Greville ᩣ
                    Matos, Porcelana Chinesa/Chinese Porcelain, Lisbon, 2003, pl. 58;
                    a pair, from the collection of Edmund de Rothschild, Esq. T.D., sold  㫼喑䐶᫩ G. C. Williamson,ȨThe Book of Famille
                                        th                     th
                    twice  at  Christie’s  London,  28   July  1975,  lot  181,  and  again,  10   Roseȩ喑՘᪓喑1927Ꭱ喑ృ❵LVII喍ጓ喎ȡओ㺸
                    June 1996, lot 135; and a single vase, from the collection of the Hon.
                                                                  ̭ᄺ䡓䰋ృҸ喑ਜ਼՘᪓㬴ჹ℁2010Ꭱ5ᰵ12ᬒ喑
                    Mrs.  Ronal  Greville,  published  in  G.C.  Williamson,  The  Book  of
                    Famille Rose, London, 1927, pl. LVII (left).  ㌕㮌70ȡ
                    The terms ‘soldier’ or ‘dragoon’ are frequently applied to vases of  ₑ䶋๔⨣ౕ㺬᫦㷘⽞◧Ȫsoldier喍ธڢ喎ȫᝃ
                    this massive size after an event in 1717, when Augustus the Strong
                                                                  Ȫdragoon喍咺伻ڢ喎ȫ⨣喑⎽᫩1717Ꭱ∏㭚స⢸
                    (1670-1733),  King  of  Poland  and  Elector  of  Saxony  and  inveterate
                                                                  ک㫖ٸḛ䖥ፊӜດऑ᫜➦⩕ښ⮫ธڢᤈः̭ឦ⨤
                    porcelain  collector,  traded  a  regiment  of  600  soldiers  for  a  group
                    of porcelain including several blue and white Kangxi period vases   க喑ڣ͚ࢠ࠲᠙᪥Уᅧᄥ㜴᱙৮Ⱕ㠒͸Ꮴ⛆䱿㟞
                    of  this  monumental  size.  Those  vases  came  from  the  collection  of  ๔⨣ȡ䕆ឦ⨤க࣌ٵ◧ᮛ傜ธస⢸㚀➦◵e༮᏶
                    Friedrich Wilhelm I of Prussia and had been housed within his own
                                                                  ̭̓⻮ϧ⣺㫼喑ᰫ䮠᫩ດ៶ᄔൎȡ
                    porcelain collection at Schloss Oranienburg.
                                                                  ᱙৮๔⨣̭ᄺ喑ᰫ◧䭬❫ᑄ䰤ᓤe㣘䛹ḛ  1821
                    This  pair  of  ‘soldier’  vases  was  formerly  in  the  collection  of
                    Alfred  Morrison  (1821-1897)  and  was  displayed  at  Fonthill  House  1897 ᩣ㫼喑͓䮠᫩ᩫᆞᅲ喑㦯᫜ќ㸎喑༮❫➦
                    in  Wiltshire,  England.  After  inheriting  Fonthill  House  in  1857,  䘎ȡ1857Ꭱ喑㣘䛹ḛᓋڣ❣᝸͚㎩ឬᩫᆞᅲ喑䯕
                    Morrison  commissioned  the  internationally  renowned  architect,
                                                                  ᒹӬ㖅㿸స䯈ⴒऺᐧヶፘOwen Jones (1809-1874)
                    Owen Jones (1809-1874), to design a room in an opulent cinquecento
                      th
                    (16  century) style to house his collection of Chinese ceramics, one   㽚㼵γ̭ԸȪcinquecentoȫ䷕ᵩ⮱ᩣ㫼ბ喑⩕᫩
                    of  the  most  significant  western  collections  of  Chinese  ceramics  in  䮠݄ڣ͚స⨤கᩣ㫼ȡЃ䕆ឦ⨤கᩣ㫼㷘䂪◧䓾
                    modern history. Photographs of the interior of Fonthill, taken in June
                                                                  Аट̷㺬᫦ᰭ◧䛺㺮⮱͚స⨤கᩣ㫼͸̭ȡᓋ
                    1988, show a number of large ‘soldier’ vases, including one of the
                                                                  1988Ꭱښᰵ៺ᩊ⮱ᩫᆞᅲڔ䘕⚔❴ҳⰸ喑ͨ჏
                    present pair, along with other Chinese ceramics from his collection
                    adorning the grand drawing room (fig.1).      ᐠ͚ᩫ㒛γ᪥У๔⨣喑㔹᱙ᄺ⨣͸̭ϓज㺸᫩ڣ
                                                                  ͚喑㜴ڣЃ͚స⨤க⣺৮͓݄喍ృ̭喎ȡ
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