Page 18 - 2021 March 18 to 19th, Important Chinese Works of Art, Christie's New York City
P. 18

PROPERTY FROM AN IMPORTANT PRIVATE NEW YORK COLLECTION
          716
          A VERY RARE CORAL-GROUND FAMILLE                  The elaborate and highly amusing design on the present bowl is based
          VERTE 'BOYS' BOWL                                 on earlier Ming prototypes of children gathered in groups playing in a
          KANGXI SIX-CHARACTER MARK IN UNDERGLAZE BLUE      landscaped garden. The earliest known representation of this motif can
          WITHIN A DOUBLE CIRCLE AND OF THE PERIOD (1662-1722)  be seen on a Yongle blue and white bowl exhibited at the Hong Kong
                                                            Museum of Art, Chinese Porcelain, The S.C. Ko Tianminlou Collection,
          The bowl is decorated with enamels and gilt on a coral-red ground, with
                                                            Hong Kong, 1987, illustrated in the Catalogue, no. 15.
          four groups of four boys, some playing with a squirrel and others engaged
          in different leisurely pursuits, beside rocks and plantain on a continuous
                                                            The deep, coral enamel used as the ground was an innovation of the
          fenced garden terrace.
                                                            Qing dynasty, when new enamel colors became available. A pair of
          8º in. (21 cm.) diam.                             coral-ground ‘boys’ bowls, also with Kangxi marks and of the period, but
                                                            more densely decorated with boys and leaving less space for the rich
          $50,000-80,000                                    coral ground, is illustrated by G. Hasebe, Qing Ceramics from Seikado;
                                                            The Beauty of Jingdezhen Imperial Kiln, Tokyo, 2006, p. 37, no. 27. In the
          PROVENANCE:
                                                            present design, the smaller groups of boys allow for more space and
          T. T. Tsui (1941-2010) Collection, Hong Kong.
                                                            rhythm in the design, and the gilt detailing gives an added richness to
                                                            this new palette.
          EXHIBITED:
          Hong Kong, The Min Chiu Society, Splendour of the Qing Dynasty,
                                                            Although seemingly rare in the Kangxi period, the design continued
          9 June to 2 August 1992.
                                                            through the 18th century and achieved particular popularity during the
          LITERATURE:                                       Jiaqing period, from which numerous examples survive. A pair of bowls
          The Min Chiu Society, Splendour of the Qing Dynasty, Hong Kong, 1992,    with identical design but from the Qianlong period is illustrated in
          p. 362, no. 229.                                  Chinese Ceramics in the Idemitsu Collection, Japan, 1987, pl. 952. Jiaqing
          The Tsui Museum of Art, Chinese Ceramics IV; Qing Dynasty, Hong Kong,   examples include a bowl in the Palace Museum, Beijing, illustrated in The
          1995, no. 104.                                    Complete Collection of Treasures of the Palace Museum – 38 – Porcelains
                                                            in Polychrome and Contrasting Colours, Hong Kong, 1999, pp. 173-74, pl.
          清康熙 珊瑚紅地五彩描金嬰戲圖盌 雙圈六字楷書款                          159.
          來源:                                               The present bowl appears to be the second Kangxi-marked example
          徐展堂(1941-2010)珍藏, 香港。                             to come to auction in recent years. One Kangxi-marked bowl from the
                                                            collection of Soame Jenyns, the Assistant Keeper of Oriental Antiquities
          展覽:                                               at the British Museum, was sold at Christie’s London, 6 November 2018,
          香港, 敏求精舍, 清朝瑰寶,1992年6月9日至8月2日。
                                                            lot 36.
          出版:
          敏求精舍, 《清朝瑰寶》, 香港, 1992年, 頁 362, 229號。
          徐氏藝術館,《徐氏藝術館.陶瓷篇IV.清代》,香港,1995年,
          圖版104號。





















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