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of the ruler as a living incarnation of a god with the Chinese
                                                                    Manjushri cult. This beautiful and powerful figure is a
                                                                    reflection of the religious beliefs of the early Qing emperors
                                                                    and a reminder of the political importance of Tibetan
                                                                    Buddhism during this period.
                                                                    Although it is often said that the Qing dynasty emperors
           The present figure in the home of M. C. Hammonds. Photographer unknown.  patronized Tibetan Buddhism simply for political reasons,
           本拍品陳設於M. C. Hammonds自宅之原貌。攝影師不詳。                         this does not seem to have been the case with the Kangxi
                                                                    emperor. He was largely brought up by his grandmother, a
                                                                    Mongol princess, and was an adherent of Tibetan Buddhism.
                                                                    It is probably due to her influence that the Kangxi Emperor
                                                                    demonstrated a personal commitment to Buddhism. The
                                                                    Kangxi Emperor and his son and grandson, the Yongzheng
                                                                    and Qianlong emperors, built thirty-two Tibetan Buddhist
                                                                    temples in the Beijing area alone.

                                                                    In its superb quality and style, the present figure of Manjushri
                                                                    relates to the celebrated gilt-bronze Buddhist figures made
                                                                    during the Yongle period, such as the Yongle-marked gilt-
                                                                    bronze figure in the Berti Aschmann Foundation for Tibetan
                                                                    Art in the Reitberg Museum, Zurich, illustrated by H. Ulhig,
                                                                    On the Path to Enlightenment, Zurich, 1995, pp. 115-16, no. 66,
                                                                    and the gilt-bronze Yongle-marked figure of Manjushri sold
                                                                    at Christie’s New York, 19 March 2008, lot 400. (Fig. 1) The
                                                                    current figure has similar facial details, crown, lotus, jewelry
                                                                    and robes to these Yongle-marked figures. Like the Yongle
                                                                    figures, the present figure also holds the sword, a symbol for
                                                                    overcoming darkness and ignorance, between the thumb and
                                                                    forefinger (abhaya mudra), the gesture of fearlessness. Few
                                                                    lacquered wood figures of Manjushri have been published
                                                                    and the current figure is extremely rare for its large size. A
                                                                    similar depiction of Manjushri, dating to the Kangxi period,
                                                                    but of smaller size and shown seated within a tiered throne,
                                                                    sold at Christie’s Paris, 10 December 2014, lot 232. (Fig.2)






















           Fig. 2 Gilt-lacquered wood figure of Manjushri, Kangxi period (1662-1722). Sold Christie’s
           Paris, 10 December 2014, lot 232.
           `圖二 清康熙木漆金文殊菩薩。巴黎佳士得, 2014年12月10日, 拍品232號。
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