Page 63 - Bonhams May 16, 2019 London Asian Art
P. 63

72  †
           A RARE PAIR OF QIANYIN AND TIANQI LACQUER         Lacquer wares and furniture worked in polychrome palettes became
                                                             popular in the late Ming dynasty. The Xiushi lu, a manual for lacquer
           ‘PHOENIX’ ARMCHAIRS
           Early Qing Dynasty                                manufacture compiled during the early 17th century, mentions two
           Each with a shaped top rail supported by an openwork shaped back   types of filled-in lacquer: the ‘carve and inlay’ type, loukan, according
           panel incorporating the design of two phoenix among scrolling lingzhi   to which certain areas were cut out of the otherwise finished lacquer
           stems, each arm side panel carved with a cloud-scroll edge, the seat   surface and inlaid with variously coloured lacquer, and the ‘filled-in’ or
           panel decorated with large lotus and birds, the square-section legs   ‘polish-reveal’ method, moxian, when certain portions of the design
           joined by rectangular-section stretchers.         were raised through multiple layers of lacquer as the ground was filled
           111cm (43 3/4in) high x 63cm (24 3/4in) wide x 48cm (19in) deep. (2).  with additional lacquer and the boundaries between the different colour
                                                             fields defined by engraved and gilt lines.
           £20,000 - 30,000                                    Compare with a related tianqi lacquer chair, Ming dynasty, illustrated in
           CNY180,000 - 260,000                              The Complete Collection of Treasures in the Palace Museum: Furniture
                                                             of the Ming and Qing Dynasties, vol.3, Hong Kong, 2002, p.54,
           清早期 填漆嵌銀花鳥紋扶手椅成對                                  no.44. Also see a related pair of lacquered armchairs, Wanli, the Lord
                                                             Fairhaven collection in Anglesey Abbey, Cambridgeshire, illustrated by
           Meticulously incised and coloured in the qianjin-and-tianqi (gold-  S.Jenyns, Chinese Art, London, 1980, pl.176.
           engraved and filled-in) lacquer technique with vibrantly-coloured
           dynamic designs of phoenix and floral scrolls, these remarkable chairs
           may have been made for the use of one of the highest-ranking ladies
           of the Imperial household.




























































           For details of the charges payable in addition to the final Hammer Price of each Lot
           please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
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