Page 253 - Christie's, NYC Important Chinese Works Of Art Sept. 22-23, 2022
P. 253

PROPERTY FROM A PRIVATE NEW YORK COLLECTION
          932
          A SANCAI-GLAZED POTTERY FIGURE OF
          TANG DYNASTY (AD 618-907)
          The rider wears a green-glazed coat and amber
          hood and is seated with both hands raised and
          curled as if grasping implements to play the round
          circular drum. The horse stands foursquare on a
          rectangular base with head turned slightly to the
          left and is glazed in amber and straw.
          16º in. (41.3 cm.) high
          $10,000-15,000
          PROVENANCE:
          William E. Little, Sr. (1910-1991) Collection, New
          York and Connecticut.

          EXHIBITED:
          Hanover, Hood Museum of Art, Dartmouth
          College, Ming-Ch'i Figures from the William E.
          Little Collection, 2 September-26 November 1989.
          LITERATURE:
          C. H. Lachman, Ming-Ch'i Figures from the William
          E. Little Collection, 1989, Hanover, cover and no. 41.
          A similar hooded equestrian figure is illustrated in
          Arts of the T'ang Dynasty, Indianapolis Museum of
          Art, 1973, no. 10, p. 18, and a comparable hooded
          drummer is illustrated in Selections of Chinese
          Art from Private Collections, China Institute, New
          York, 18 October 1984 - 4 January 1987, p. 87.

          紐約私人珍藏
          唐 三彩騎馬俑
          展覽:
          達特茅斯學院Hood美術館, 新罕布夏州漢諾瓦:
 VARIOUS PROPERTIES  「Ming-Ch'i Figures from the William E. Little
          Collection 」, 1989年9月2日-11月26日
 ⱷ931     出版:
 A RARE GLAZED STONEWARE DEEP BOWL  隋/唐 透明釉盌  C. H. Lachman,《Ming-Ch'i Figures from the
 SUI-TANG DYNASTY (AD 581-907)  來源:  William E. Little Collection》, 1989年, 漢諾瓦, 封
 The vessel is potted with deep rounded sides and a pair of handle fittings that   1959年前於日本  面及編號41
 rise from the slightly inverted mouth rim. It is covered overall with a white   展覽:
 slip and a transparent glaze tinged olive which has pooled and crackled in an
 irregular line beneath the rim, with the base left unglazed to reveal the white   京都國立博物館:「隋唐之美術」, 1959年10月11日-11月8日
 body.  日本陶磁協会, 1966年
 7Ω in. (19 cm.) wide, lacquer cover, Japanese wood box with inscription by   出版:
 Japanese tea ceremony practitioner, Koga Kenzo (1931-1999), who used the   京都國立博物館:《隋唐之美術》, 1959年, 京都, 編號206
 pseudonym, Chikuse
 $15,000-24,000

 PROVENANCE:
   In Japan by 1959.
 EXHIBITED:
 Kyoto National Museum, Zui Tou no bijutsu (Fine Art of Sui and Tang), 11
 October-8 November 1959.
 Japan Ceramics Society (Nihon Toji Kyokai), 1966.
 LITERATURE:
 Kyoto National Museum, Zui Tou no bijutsu (Fine Art of Sui and Tang), 1959,
 Kyoto, no. 206.



 (another view with box)







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