Page 37 - Christie's, NYC Important Chinese Works Of Art Sept. 22-23, 2022
P. 37

CHINESE JADES FROM THE COLLECTION OF T. EUGENE   CHINESE JADES FROM THE COLLECTION OF T. EUGENE WORRELL
 WORRELL  728
 726      A PALE GREY JADE FIGURE OF A RECUMBENT CAMEL        The pose of this recumbent jade camel, with the head turned to the front
 A PALE BEIGE AND RUSSET JADE FIGURE                          hump, is seen as early as the Tang dynasty and continued into the Qing
 OF A RECUMBENT HORSE  MING-EARLY QING DYNASTY, 15TH-18TH CENTURY  dynasty. The pose allowed the carver to accentuate the graceful curve of
 MING DYNASTY (1368-1644)  The camel is shown with the mouth open and the head turned sharply towards   the neck and the contours of the body. Those that are dated as early as the
          the front hump, with incised lines on the mane and humps to indicate fur. The   Tang dynasty include one in the Victoria and Albert Museum and another in
 The horse is shown playfully rolling on its side   softly polished pale grey stone has some areas of brown mottling and some   the collection of Dr. Paul Singer, both published by J. Rawson and J. Ayers in
 with the head turned to touch the left hind leg. The   black striations.  Chinese Jade throughout the ages, Oriental Ceramic Society, London, 1975-
 softly polished stone is of a beigeish-white tone   5 in. (12.7 cm.) wide  76, nos. 201 and 202. Another is illustrated by d'Argencé in Chinese Jades in
 with some feathery russet striations.                        the Avery Brundage Collection, Asian Art Museum of San Francisco, 1977, pl.
 3º in. (8.2 cm.) long   $20,000-30,000                       XXXII. J. C. Y. Watt illustrates three camel figures in Chinese Jades from the
                                                              Collection of the Seattle Art Museum, Seattle Art Museum, 1989, pp. 58-9,
 $6,000-8,000  PROVENANCE:                                    nos. 32a-32c, the first dated Six Dynasties to Tang, the second Tang, and the
            The Property of an American Collector, Sotheby’s New York, 24 March 1998,   third Tang to Ming.
 PROVENANCE:  lot 340.
 Reverend Victor Farmer Collection.
 Christie's London, 8 June 2004, lot 456.  EXHIBITED:
          Charlottesville, Worrell Family Offices Gallery, 1998-2022.
 EXHIBITED:
 Charlottesville, Worrell Family Offices Gallery,   T. EUGENE WORRELL珍藏中國玉器
 2004-2022.
          明/清初 十五至十八世紀 灰玉駱駝擺件
 LITERATURE:
 J. Ayers, A Jade Menagerie: Creatures Real and   來源:
 Imaginary from the Worrell Collection, London,   美國珍藏; 紐約蘇富比, 1998年3月24日, 拍品編號340
 1993, no. 29.   展覽:
          夏洛茨維爾, Worrell家族藝廊, 1998-2022年
 T. EUGENE WORRELL珍藏中國玉器
 明 褐玉臥馬擺件
 來源:
 Victor Farmer牧師珍藏
 726  倫敦佳士得, 2004年6月8日, 拍品編號456                                                     (another view)
 展覽:
 夏洛茨維爾, Worrell家族藝廊, 2004-2022年
 出版:
 J. Ayers, 《A Jade Menagerie: Creatures Real
 and Imaginary from the Worrell Collection》, 倫
 敦, 1993年, 編號29
 CHINESE JADES FROM THE COLLECTION OF T. EUGENE
 WORRELL
 727
 A PALE YELLOW AND BROWN JADE
 `BUFFALO AND BOY’ GROUP
 MING-QING DYNASTY (1368-1911)
 The young boy is shown with his hat hung over the
 back of his short tunic and climbing onto the back
 of the recumbent buffalo. The stone is of a pale
 yellow tone with some brown and buff mottling.
 2æ in. (7 cm.) long

 $4,000-6,000
 PROVENANCE:
 The Property of a Gentleman; Christie's New York,
 2 June 1989, lot 279.
 EXHIBITED:
 Charlottesville, Worrell Family Offices Gallery,
 1994-2022.

 T. EUGENE WORRELL珍藏中國玉器
 明/清 黃褐玉牧童戲牛
 來源:
 士紳珍藏; 紐約佳士得, 1989年6月2日, 拍品編號279
 727  展覽:
 夏洛茨維爾, Worrell家族藝廊, 1994-2022年



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