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                    A FINE AND RARE BLUE AND WHITE EWER
                    SEAL MARK AND PERIOD OF QIANLONG




                    清乾隆   青花開光花果紋執壺
                      《大清乾隆年製》款



                    superbly potted, the generous pear-shaped body rising from a   來源:
                    splayed foot to a waited neck flaring at the rim, set on one side   香港蘇富比1986年5月20日,編號43
                    with a curved spout joined to the neck by a cloud-shaped strut,   展覽:
                    opposite the arched strap handle adorned by grooves and
                                                                   《天民樓藏瓷》,香港藝術館,香港,1987年,編號59
                    surmounted by a small loop on top and accented with three   《天民樓青花瓷特展》,鴻禧美術館,台北,1992 年,編號84
                    knobs of clay at the base, imitating metalwork studs, finely   《天民樓青花瓷特展》,上海博物館,上海,1996年
                    painted in deep cobalt-blue tones with simulated ‘heaping and
                    piling’, with a quatrefoil panel on either side, one enclosing   出版:
                    a branch of peaches with two fruit among blossoms and   蘇玫瑰,〈Archaism and Invention: Sources of Ceramic Design in the Ming
                    foliage, the other with a branch of loquat with many stylised   and Qing Dynasties〉,George Kuwayama 編,《New Perspectives on the Art
                    fruit, the panels flanked by flowers of the ‘Four Seasons’   of Ceramics in China》,洛杉磯,1992年,頁87,圖版21
                    with pomegranate, peony, chrysanthemum and camellia, all   《天民樓珍藏青花瓷器》,上海,1996年,編號90
                    between the neck collared by lotus scroll and upright plantain
                    leaves, and the foot skirted with a band of upright lappet petals,
                    the spout decorated with a foliate scroll, with ruyi-clouds on the
                    strut and sprays of lingzhi on the handle, inscribed on the base
                    with a six-character seal mark
                    26.7 cm, 10½in.
                    PROVENANCE
                    Sotheby’s Hong Kong, 20th May 1986, lot 43.
                    EXHIBITED
                    Chinese Porcelain in the S.C. Ko Tianminlou Collection, Hong
                    Kong Museum of Art, Hong Kong, 1987, cat. no. 59.
                    Blue and White Porcelain from the Tianminlou Collection, Chang
                    Foundation, Taipei, 1992, cat. no. 84.
                    Tianminlou qinghua ci tezhan [Special exhibition of blue and
                    white porcelain from the Tianminlou collection], Shanghai
                    Museum, Shanghai, 1996.
                    LITERATURE
                    Rosemary E. Scott, ‘Archaism and Invention: Sources of
                    Ceramic Design in the Ming and Qing Dynasties’, George
                    Kuwayama ed., New Perspectives on the Art of Ceramics in
                    China, Los Angeles, 1992, p. 87, pl. 21.
                    Blue and White Porcelain from the Collection of Tianminlou
                    Foundation, Shanghai, 1996, no. 90.



                    HK$ 3,000,000-5,000,000
                    US$ 383,000-640,000











                    Mark


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