Page 184 - Sotheby's NYC September 21 2022 Important Chinese Art
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 A PAIR OF SPECTACLES SET WITH CRYSTAL   geometry, physics, and especially optics, visited these shops   Surveying the existing spectacles in the Palace Museum,   清十八 / 十九世紀   水晶眼鏡
 LENSES   in Hangzhou early in his career and sought to bring this   Beijing, Mao discusses the use of these corrective spectacles   印文:
 QING DYNASTY, 18TH / 19TH CENTURY  knowledge back to his birthplace. Through much trial and   by the Qing emperors, citing that the Qing Court Collection
 error, Sun was able to greatly advance and expand the use   contained both spectacles gifted by Western missionaries   真正水晶
 yellow brocade case, with labels reading zhenzheng shuijing   of corrective lenses. Not only was he able to produce around   to the emperors as well as ones made domestically,   三山老店
 (real crystal), san shan lao dian (the old shop of san shan),   24 different lenses to cater to a wider range of eyesight   including ones from well-known commercial workshops.   褚堯天製
 Chu Yaotian zhi (Made by Chu Yaotian), ink label in French   problems by switching the use of glass lenses to crystal ones,   The Yongzheng, Qianlong and Xuantong Emperors all had a
 reading à M. Brochart, hommage de respectueuse gratitude   he also invented spectacles that could be worn on the nose,   personal collection of spectacles. In particular, the Yongzheng   來源
 12 mai 1902 (to Monsieur Brochart, as a tribute of respectful   greatly increasing the daily convenience of these lenses.   Emperor was recorded to be especially fond of them: Qing   Brochart 先生獲贈於1902年5月12日
 gratitude 12th May 1902) (3)  Sun’s invention was immediately met with great success and   records documented that the Emperor once had spectacles
 Width when extended 6 in., 15.2 cm   the use of eyeglasses quickly popularized and spread to the   placed everywhere around him, including his bedroom and
 rest of the empire. Suzhou became known as the center of   at Yuanmingyuan, so that he could use them whenever he
 PROVENANCE  production for these crystal lenses.  needed to. Compare a closely related pair, with huangtong
 Gifted to Mr. Brochart, 12th May 1902.   During the reign of the Qianlong Emperor, the workshop   ruyi-shaped mounts, in the Palace Museum, Beijing,
 Imported into China during the Yuan dynasty, corrective   of Chu Sanshan appeared and was known as the best   illustrated in ibid., p. 33.
 lenses were solely reserved for the rich and powerful up   amongst the many in the city (see Mao Xianming, ‘Gugong   The yellow embroidered spectacle case may further indicate
 until the Ming period due to the high cost and rarity of these   zhenchang de yanjing [Spectacles in the collection of the   an imperial association. See a related embroidered eyeglass
 imported goods. A burden to use, these lenses were often   Palace Museum]’, Zijincheng, 2002, pp 34-36). Believed to   pouch, in the National Palace Museum, Taipei (accession no.
 singular handheld instruments, more closely resembling   be a student of Sun, Chu further advanced the technology   贈雜000047N000000000). Compare several embroidered
 magnifiers than eyeglasses. During the later years of the   developed by his teacher. The labels on the present lot,   spectacle cases with a similar silk cord, one, attributed to
 Ming dynasty, the knowledge to produce such lenses was   indicate that these came from ‘the old shop of Sanshan’ and   the 18th to 19th century, in the Metropolitan Museum of Art,
 slowly acquired by the craftsmen of Hangzhou, and the   were ‘made by Chu Yaotian’, which points to this well-known   New York (accession no. 30.75.687), three, attributed to a
 city became an emerging site for China’s earliest domestic   workshop, with Chu Yaotian possibly a descendant of the   later date, in the Minneapolis Institute of Art, Minneapolis
 production of corrective lenses. Sun Yunqiu (1628-1662), a   famous Chu Sanshan.   (accession nos 45.15.3, 31.50.172a and 30.23.175), and
 scholar and inventor from Suzhou who was well versed in   illustrated in Robert D. Jacobsen, Imperial Silks: Ch’ing
                     Dynasty Textiles in The Minneapolis Institute of Arts, vol. II,
                     Minneapolis, 2000, pls 356, 359 and 360.
                     ⊖  $ 50,000-70,000










































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