Page 72 - Sotheby's NYC September 21 2022 Important Chinese Art
P. 72

238

 PROPERTY FROM A JAPANESE PRIVATE COLLECTION  David Foundation of Chinese Art, London, 2006, p. 32, no.
 A RARE WUCAI ‘DRAGON’ RECTANGULAR   747. Another one in the Fogg Museum, Cambridge, from the
 INKSTONE   collections of J. Love and Samuel C. Davis, exhibited in The
 Arts of the Ming Dynasty, Detroit Institute of Arts, Detroit,
 MARK AND PERIOD OF WANLI  1952, cat. no. 177, is illustrated in R. L. Hobson, The Wares
 the base with a six-character mark in underglaze blue within   of the Ming Dynasty, London, 1923, pl. 37, fig. 2. A third
 a double rectangle, Japanese wood box (3)  example in the Ashmolean Museum, Oxford (accession no.
 Length 8½ in., 21.6 cm  EA1980.403), is illustrated in Daisy Lion-Goldschmidt, Ming
 Porcelain, London, 1978, pl. 199. A further example in the
 Lavishly decorated with openwork designs of dragons   Yamato Bunkakan Museum, Nara, is illustrated in Sekai tōji
 chasing the ‘Flaming Pearl’, over waves, and the base painted   zenshu / Ceramic Art of the World, vol. 14: Ming, Tokyo, 1976,
 with two five-clawed dragons encircling the reign mark, this   pl. 206; the fifth, illustrated in Mayuyama, Seventy Years, vol.
 bright and colorful inkstone is very rare and there are only a   1, Tokyo, 1976, pl. 911, was sold in our London rooms, 11th
 handful of comparable examples. Wucai wares of the Wanli   June 1996, lot 35.
 period (1573-1620) represent one of the most exuberant
 types of porcelain of the Ming dynasty (1368-1644) and are   A less elaborate Wanli mark and period wucai inkstone
 characterized by their vivid colors and vibrant designs. It   lacking the openwork and painted with stylized lappets,
 was also during the long reign of Wanli Emperor that the   foliate and lingzhi motifs on the borders belongs to the
 imperial kilns designed porcelains specifically for the writing   Huaihaitang Collection, exhibited in Enlightening Elegance.
 desk, including brush rests, brush boxes, brush trays, and   Imperial Porcelain of the Mid to Late Ming. The Huaihaitang
 inkstones.  Collection, Art Museum, Institute of Chinese Studies, The
 University of Hong Kong, Hong Kong, 2012, cat. no. 93.
 Only five other examples of similar design appear to be
 recorded. One from the Sir Percival David Foundation of   ⊖  $ 80,000-120,000
 Chinese Art in the British Museum, London (accession no.
 PDF.747), was included in the International Exhibition of
 Chinese Art, Royal Academy of Arts, London, 1935, cat. no.   明萬曆   五彩海水龍紋硯
 1966, and illustrated in Rebecca Feng, Illustrated Catalogue
 of Ming and Ming Style Polychrome Wares in the Percival   《大明萬曆年製》款











































 68  SOTHEBY’S  COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N11074                                        69
   67   68   69   70   71   72   73   74   75   76   77