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           A RARE JADE FIGURE OF AN                      清乾隆    糖玉臥象
           ELEPHANT                                                    《乾隆年製》款

           SEAL MARK AND PERIOD OF
                                                         來源:
           QIANLONG                                      德國私人收藏,1922年前入藏,此後家族傳承
                                                         巴黎蘇富比2014年12月11日,編號161
           the substantial stone worked in the form of a recumbent
           elephant with its head turned to the left and its tail swished to
           its left haunch, the animal depicted with characteristic floppy
           ears and folds of wrinkles, the underside incised with a four-
           character seal mark, the stone of a variegated celadon, brown
           and grey colour accentuated with white patches, yellow label
           12.6 cm, 4⅞ in.

           PROVENANCE
           A German private collection, acquired before 1922, thence by
           descent.
           Sotheby’s Paris, 11th December 2014, lot 161.
           HK$ 1,200,000-1,500,000
           US$ 154,000-192,000






           This charming figure of a reclining elephant captures the   also a green and russet jade figure of a standing elephant with
           innate strength and tranquillity associated with the creature   head turned and fashioned in a similar style, from the Woolf
           in China. Modelled in the round with its head turned to the left   collection, included in the exhibition Later Chinese Jades,
           and resting on top of its curling trunk, a sense of sweetness   Percival David Foundation of Chinese Art, London, 1995, cat.
           and tenderness is indicated by the smiling eyes and gentle   no. 6, and published in The Woolf Collection of Chinese Jade,
           smile and further accentuated through the masterfully   London, 2013, pl. 97. For a Song dynasty prototype, compare
           rendered ripples of skin around the neck and legs. Further   a figure of a reclining elephant included in the exhibition
           evidence of the craftsman’s proficiency in the medium is   Chinese Jade Animals, Hong Kong Museum of Art, Hong
           evident in the exquisitely modelled ears, which have been   Kong, 1996, cat. no. 100.
           skilfully hollowed to give a naturalistic impression of large
                                                         The elephant is traditionally an auspicious animal symbolic of
           folded flaps of thick skin.
                                                         peace and strength. In Buddhism a grey elephant represents
           Captured in an archaistic Song style in both carving and   the uncontrolled mind of a person at the beginning of their
           selection of stone, Qianlong period elephants of this type are   practice of dharma, while a white elephant represents the
           less common than the white jade versions that stand four-  tamed mind. In Chinese folklore, the elephant is a symbol of
           square; a comparable figure carved from grey and russet jade,  peace and the phrase ‘taiping youxiang, yutang fugui’ (may
           but with its front legs outstretched, was sold in our New York   there be peace and may your noble house be blessed with
           rooms, 24th March 1998, lot 383; and a pale grey version,   wealth and honour) is one that is traditionally used during New
           but looking ahead, attributed to the 17th/18th century, is   Year celebrations.
           illustrated in Roger Keverne, Jade, London, 1001, pl. 70. See



















           Mark


           176     SOTHEBY’S  蘇富比
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