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           A RARE WHITE JADE ‘WANG                       清乾隆    白玉雕羲之愛鵝筆擱
           XIZHI’ BRUSH REST                                         《乾隆年製》款

           SEAL MARK AND PERIOD OF                       來源:
           QIANLONG                                      法國私人收藏

           horizontally oriented and worked in the form of the bearded
           scholar, Wang Xizhi, reclining before a goose against
           ornamental rockwork, the figure depicted in a relaxed manner
           with the right hand holding a fan and resting on the propped-
           up right knee, the underside incised with a four-character
           seal mark, the stone of an even white colour with icy and faint
           russet inclusions
           10.1 cm, 4 in.
           PROVENANCE
           A French private collection.
           HK$ 800,000-1,000,000
           US$ 103,000-128,000

           Delicately carved from a milky white stone, the present piece
           is a fine example of small, symbolic jade carvings made
           as sculptures, curios or paperweights to adorn scholars’
           studios. It depicts Wang Xizhi (303-361 AD), one of China’s
           most celebrated calligraphers and a favourite of the Qianlong
           Emperor. Qianlong placed Wang’s Kuai xue shi qing tie
           (Sudden Clearing after a Lively Snowfall) alongside two
           further great masterpieces of calligraphy, Zhongqiu tie (Mid-
           Autumn), by his son Wang Xianzhi (344-386) and Boyuan tie
           (Letter to Boyuan), by his nephew Wang Xun (350-410), in the
           Sanxitang (Hall of Three Rarities), which was named after the
           works.
           This charming carving is notable for the gentle expression of
           Wang’s face and his relaxed pose which is accentuated by the
           goose at his side. Wang’s fondness for geese is reflected in the
           famous story where he copied the Daoist classic Daodejing
           for a priest in exchange for a white goose. Wang is also known
           to have acquired inspiration from natural forms, including the
           graceful necks of geese. Thus, this carving would have been a
           rich source of reflection and enjoyment to its owner through
           its symbolic association of the goose with Wang, coupled with
           the contentment embodied by the figure.
           A brushrest similarly carved in the round with a scholar
           reclining against rockwork was sold in our New York rooms,
           19th March 2007, lot 3; a figure of a seated scholar holding a
           ruyi sceptre was sold in our London rooms, 11th June 1996,
           lot 199; and carving of a scholar leaning on a pile of books was
           included in the exhibition Chinese Jade Carving, Hong Kong,
           1983, cat. no. 176.















           Mark


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