Page 230 - Sotheby's Asia Week March 2024 Chinee Art
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495
           AN EXCEPTIONAL AND RARE ‘JIAN’ BLACK-     南宋 建窰黑釉銀兔毫盞
           GLAZED ‘HARE’S FUR’ BOWL, SOUTHERN SONG
           DYNASTY
                                                     來源:
           Japanese boxes (5)                        日本私人收藏
           Diameter 5 in., 12.7 cm
           PROVENANCE
           Japanese Private Collection.
           The present bowl represents the classic form of tea ware
           produced at the kilns in Jianyang in Fujian province, and is
           particularly notable for its silver ‘hare’s fur’ markings. The
           striking black glazes of Jian bowls can show various different
           effects, when air bubbles in the glaze burst, leaving a pattern
           of streaks, compared to hare’s fur, or spots compared to
           oil spots, that can range in tone from rust brown to metallic
           blue. With its enigmatic deep black glaze interspersed with
           dark metallic silvery steaks, the present bowl is among the
           one of rarest and most highly coveted examples.
           Related Jian bowls of this type include one from the Arthur
           M. Sackler Museum, exhibited in Hare’s Fur, Tortoiseshell
           and Partridge Feathers, Harvard University Art Museums,
           Cambridge, 1995, cat. no. 79; another, in the Palace
           Museum, Beijing, illustrated in The Complete Collection
           of Treasures of the Palace Museum. Porcelain of the Song
           Dynasty (II), Hong Kong, 1996, pl. 204; a third bowl from the
           Sir David Percival Collection and now in the British Museum,
           London, published in Oriental Ceramics. The World’s Great
           Collections, vol. 6, Tokyo, 1982, pl. 44; and a fourth from
           the collection of Sakamoto Goro, sold in these rooms,
           16th September 2014, lot 5.
           Tea bowls of this type were renowned for their unique
           suitability for drinking tea as the fine foam of the whisked
           powdered tea contrasted attractively with the dark glaze of
           the vessel. The thickness of the glaze also helped keep the
           tea warm while protecting the hands of the drinker from the
           hot beverage. Furthermore, the concave indentation below
           the rim of the bowl allows a firm grip and is said to cause the
           drinker to consume the tea in small sips, which is important
           for the full appreciation and enjoyment of tea.
           From literature it is known that the best quality Jian bowls
           were carefully selected as tribute from Fujian to the court.
           Jian bowls were also taken to Japan by Buddhist monks
           who spent time in Chinese monasteries. ‘Temmoku’ is the
           Japanese pronunciation of ‘Tianmu’, a mountain in Zhejiang,
           north of Jianyang, where monastic communities favored
           the use of Jian bowls for tea drinking. Tea consumption was
           an established practice in Buddhist monasteries as tea was
           prized as a stimulant in assisting Buddhist monks in their
           meditation. For an extensive study on the history of Jian
           ware and their transportation to Japan, see Nicole Coolidge
           Rousmaniere, ‘Defining Temmoku: Jian Ware Tea Bowls
           Imported into Japan’, Hare’s Fur, Tortoiseshell, and Partridge
           Feathers, Cambridge, 1995, pp 43-58.
           ⊖  $ 60,000-80,000






           456     SOTHEBY’S        COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N11410                                                                                                                                          457
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