Page 41 - Christie's Hong Kong Wang Zing Lou Collection May 30 2022
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               A FINE AND VERY LARGE BLUE-GLAZED                 清雍正   霽藍釉天球瓶   六字篆書款
               GLOBULAR BOTTLE VASE, TIANQIUPING

               YONGZHENG SIX-CHARACTER SEAL MARK IN UNDERGLAZE BLUE   來源
               AND OF THE PERIOD (1723-1735)                     香港蘇富比,1984 年 11 月 20 日,拍品 486 號
               The elegantly potted vase is covered overall with a rich dark blue glaze   紐約佳士得,1998 年 9 月 16 日,拍品 393 號
               thinning neatly to the mouth rim and stopping just above the foot rim.  S. Marchant & Son,倫敦
               26 3/8 in. (67 cm.) high
                                                                 展覽
               HK$3,000,000-5,000,000                            借展明尼阿波利斯美術館,2003-2020 年
               US$390,000-640,000                                出版
                                                                 Robert Jacobsen,葉佩蘭及朱湯生:《清代康雍乾宮窯瓷器:望星
                                                                 樓藏瓷》,香港,2004 年,224 至 225 頁,圖版 87 號
               PR O V EN A N C E
               Sold at Sotheby’s Hong Kong, 20 November 1984, lot 486  瓶長頸,鼓圓腹,圈足。通體施霽藍釉。瓶內、底部白釉。
               Sold at Christie’s New York, 16 September 1998, lot 393
               S. Marchant & Son, London                         霽藍釉燒製工藝繼承元代傳統,至清代生產歷朝未斷,且燒製精細,
                                                                 常見造型是宮廷祭器和陳設用瓷。霽藍釉祭器專供於天壇環丘台,
               E XH IB I TE D                                    乾隆十三年(1748 年)冬至祭天首次奉詔用霽藍釉器。
               On loan to the Minneapolis Institute of Arts, 2003-2020
                                                                 傳世霽藍釉天球瓶以乾隆器居多,雍正器則流傳量極少,只有寥寥
               L I T E R A TUR E                                 出版例子。倫敦佳士得曾拍賣一件尺寸較小例子(53.5 公分),
               Robert Jacobsen, Ye Peilan and Julian Thompson: Imperial Perfection.  2005 年 7 月 12 日,拍品 173 號;另一件 2020 年 9 月 25 日於紐約
               The Palace Porcelain of Three Chinese Emperors, Kangxi - Yongzheng -   佳士得拍賣(54 公分),拍品 1614 號。仇焱之舊藏一件尺寸更小例
               Qianlong, Hong Kong, 2004, pp. 224, no. 87        子(33.2 公分),2019 年 4月 3 日於香港蘇富比拍賣,拍品 3658 號。

               It is very rare to find a massive vase of this size with cobalt-blue glaze
               from the Yongzheng period in comparison to the more common examples
               with Qianlong marks. Large monochrome vases like the present example
               were made as part of decorative furnishings for the Palace during the Qing
               dynasty. With its large globular body, the form of the present vase was one
               of the most popular forms and can be found in various colours and sizes.
               The rich cobalt-blue glaze of the present vase is sometimes referred to
               as ‘sacrificial blue’, deriving from the use of vessels bearing this coloured
               glaze during sacrifices at the Imperial Temple of Heaven. In 1369, the first
               Ming dynasty emperor Hongwu issued an edict declaring that the vessels
               used on the Imperial altars should henceforth be made of porcelain. Each
               temples was associated with a specific colour of porcelain, and in addition
               to blue being used in the Temple of Heaven, red was used in the Temple of
               the Sun, yellow in the Temple of Earth, and white in the Temple of the Moon.

               One rare Yongzheng example of similar size from the Xulong Collection
               was exhibited at the Zhejiang Museum and published in  A Collection of
               Porcelain, Beijing, 2006, pp. 118-119. A smaller (33 cm. high) cobalt-blue-  (mark)
               glazed bottle vase with Yongzheng mark from the E.T. Chow Collection was
               sold at Sotheby’s Hong Kong, 3 April 2019, lot 3658. A cobalt-blue-glazed
               vase of similar size but slightly different shape from the present vase was
               sold at Christie’s New York, 25 September 2020, lot 1614.













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