Page 193 - The Arts of China, By Michael Sullivan Good Book
P. 193

204 Funerary pillow, Ting ware.
                                       Porcelain covered with creamy white
                                       glaze. Northern Sung Dynasty.













      brown) Ting, and a coarse yellowish / » ("earth") Ting. Varieties of
      Ting and near-Ting, however, are not always easy to distinguish.
       The extensive surveys and excavations of recent decades have
      made it apparent that not only was one type of ware often made in
      a number of different kilns, with the inevitable local variations in
                                       205 Bottle with copper-bound rim. Ju
      character and quality, but also that one kiln centre might turn out  ware. Stoneware covered with dove s-
                                       egg-blue glaze. Northern Sung
      a wide range of products. To take two examples, Koyama Fujio
                                       Dynasty.
      and, more recently, Chinese investigators discovered in the ruins
      of the Ting kilns white, black, and persimmon-red glazed porce-
      lain, unglazed, painted porcelain, pottery with white slip, with
      patterns in iron oxide, with carved designs, with black, and with
      buckwheat brown glaze. The Sung kilns at Ho-pi-chi, T'ang-yin-
      hsien, Honan, first investigated in 1955, while turning out chiefly
      plain white wares also produced coloured wares, white wares
      with coloured decoration, cups glazed black outside and white in-
      side, a high-quality Chiin-type stoneware, and black glazed vases
      with vertical yellowish ribs in relief, such as the lovely vessel illus-
      trated here. The value and beauty of the Ting wares lies not
      merely in their glaze and decoration but also in the exquisite purity
      of their shapes, many of which were copied not only in other
      Sung kilns but also in the Korean wares of the Kory6 period. After
      the fall of Kaifcng in  1 1 27, wares of Ting type were made at Chi-
      chou in central Kiangsi, very probably by refugee potters who had
      fled to the south.
                                            1  ''
       Since the Sung Dynasty, Chinese connoisseurs have classed
      Ting-yao as a "classic" ware of Northern Sung, together with Ju-
      yao, Chun-yao, and the now legendary Ch'ai-yao, which had a  206 Pitcher, northern ceLadon
      glaze "blue like the sky after rain." When the too-fastidious em-  Stoneware with carved decoration
                                       under an olive-green glaze. Northern
      peror Hui-tsung decided that, presumably because of its "tear-  Sung Dynasty.
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