Page 210 - The Arts of China, By Michael Sullivan Good Book
P. 210

touch shows clearly that he caught the spirit of antiquity without
                        becoming its slave.
                         This noble simplicity of utterance was carried even further by
                        Ni Tsan ( 1 30 1-1 3 74) , a wealthy country gentleman who, to escape
                        ruinous taxation, spent his later years drifting in a houseboat
                        through the lakes and hills of southeastern Kiangsu, putting up at
                        monasteries and staying with friends. The establishment of the
                        Ming Dynasty in 1368 enabled him to return to his old home and

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