Page 24 - Art D'Asie Paris
P. 24

■ 17

                                  RARE STATUE DE DIVINITE MI-HOMME
                                  MI-FEMME EN GRES
                                  CAMBODGE, KHMER, EPOQUE KOH KER,
                                  XEME SIECLE

                                  La divinité est représentée agenouillée sur un socle
                                  rectangulaire. Sa main droite repose sur un genou et l’autre
                                  était probablement tendue vers l'avant. Vêtue d’un sampot
                                  plissé, son torse est mi-féminin mi-masculin. Son visage
                                  esquisse un sourire énigmatique. Elle est coifée d’une
                                  couronne et d'une tiare.
                                  Hauteur : 93 cm. (36¬ in.)

                                  €70,000-90,000  $77,000-98,000
                                                  £63,000-81,000

                                  PROVENANCE:

                                  With Galerie Moderne, Brussels, 22 October 1962, lot 776.
                                  Private Luxembourg collection.

                                  AN IMPORTANT SANDSTONE FIGURE OF A HALF-MALE
                                  HALF-FEMALE DEITY

                                  CAMBODIA, KHMER, KOH KER PERIOD, 10TH CENTURY

                                  柬埔寨 高棉帝國 貢開寺時期 十世紀
                                  砂岩男女同體神像
                                  來源:
                                  於1962年10月22日購自布魯塞爾古董商Galerie

                                  Moderne, lot 776

                                  盧森堡私人收藏

                                  This extremely rare and large stele depicts an androgynous

                                  image composed of a half-male and half-female body.
                                  The right side shows the male component with the face
                                  framed by a moustache and a beard while the female part
                                  demonstrates a prominent breast. No other examples of
                                  this kind seem to have been published. It remains dificult
                                  to ascertain their correct iconographic name. Unfortunately,
                                  the attributes are also broken and damaged, which does not
                                  help to further identify them.

                                  The date of its creation can be placed in the Koh Ker period.
                                  It is known that this period saw interesting and innovative
                                  developments in architecture and also iconography intended
                                  for temple shrines. This sculpture fts well in such an
                                  innovative tradition. The Koh Ker rulers adhered to the Hindu
                                  religion, especially the Shaiva sect. As a consequence,
                                  this particularly composed deity most likely has a Hindu
                                  background. Yet, the current fgure cannot be identifed
                                  as Shiva and Parvati as Ardhanarishvara. Shiva’s forehead
                                  would have the third eye and his hair should be combed
                                  in the matted hair lock style or jatamakuta. Vishnu and
                                  Lakshmi would wear the depicted crown or kiritamakuta.
                                  Although in known non-Khmer examples, they could be
                                  standing and have multiple arms. However, it is not to be
                                  excluded that this fne and enigmatic sculpture represents
                                  the androgynous form of Vishnu and Lakshmi. Otherwise,
                                  the sculpture could depict a royal couple who identifed
                                  themselves with the god of Preservation and his consort.

                                  A technical report is available on request

22 ART D'ASIE · 14 DÉCEMBRE 2016
   19   20   21   22   23   24   25   26   27   28   29