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           A LONGQUAN CELADON ‘TWIN FISH’ DISH       南宋   龍泉青釉印雙魚折沿盤
           SOUTHERN SONG DYNASTY
                                                     來源:
           the rounded sides rising from a tapered foot to a flat everted   日本私人收藏
           rim, the interior moulded with a pair of addorsed carp, the
           exterior with lotus petals, covered overall save for the footring
           in a sage-green glaze, Japanese box
           22.3 cm, 8¾ in.
           PROVENANCE
           A Japanese private collection.
           HK$ 200,000-300,000
           US$ 25,600-38,400


           Dishes of this popular ‘twin fish’ design were produced from   another from the Sir Percival David collection and now in the
           the Southern Song dynasty to the Yuan dynasty. Compare a   British Museum, London, illustrated in Stacey Pierson, Designs
           similar Southern Song dynasty example from the collection of   as Signs. Decoration and Chinese Ceramics, London, 2001,
           Sakamoto Goro, sold in our New York rooms, 16th September   pl. 11, where the author discusses the ‘twin fish’ motif as an
           2014, lot 2. For an early example see a dish in the Minneapolis   auspicious symbol of harmonious marriage and good fortune
           Institute of Arts, included in the exhibition Ice and Green   (p. 19).
           Clouds. Traditions of Chinese Celadon, Indianapolis Museum   A dish of this type, attributed to the Yuan dynasty, is included
           of Art, Indianapolis, 1987, cat. no. 77, together with various   in Celadons from Longquan Kilns, Taipei, 1998, pl. 218; two
           related dishes and shards of both Song and Yuan periods, figs   dishes recovered from a ship wrecked off the coast of Korea
           77a-g. Another Song example is published in Longquan qingci   in 1323 are illustrated in Relics Salvaged from the Seabed off
           [Longquan celadon], Beijing, 1966, pl. 32; and one from the   Sinan. Materials I, Seoul, 1985, pl. 11, no. 13; and another dish
           Riesco collection was sold twice in our London rooms, in 1984   is published in T. Misugi, Chinese Porcelain Collections in the
           and 1986, and again at Christie’s New York, 19th September   Near East: Topkapi and Ardebil, Hong Kong, 1981, vol. III, pl.
           2007, lot 260.  See also a smaller example in the Metropolitan   A230.
           Museum of Art, New York, included in Oriental Ceramics. The
           World’s Great Collections, vol. 11, Tokyo, 1982, pl. 51; and








































            Box

           54      SOTHEBY’S  蘇富比
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