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           A COPPER FIGURE OF INDRA                          Alert, elegant, and limber, Indra sits in ‘royal ease’, evoking his
           NEPAL, 15TH/16TH CENTURY                          status as the king of the gods. His regalia, including the tall diadem
           Himalayan Art Resources item no.61526             and the lotus-borne vajra by his shoulder confer his identity. One
           4 1/4 in. (11.1 cm) high                          of the earliest Vedic gods, Indra transcends Hindu and Buddhist
                                                             sectarian boundaries, occupying a significant position in both
                                                             theological frameworks. In Nepal, he is especially associated with
           $12,000 - 16,000
                                                             bringing rain and fertility, and is the focus of the Indra Jatra, one
                                                             of the most anticipated festivals, reveled in with great camaraderie
           尼泊爾 十五/十六世紀 因陀羅銅坐像                                by all denominations every September. A related gilded example
                                                             attributed to the 16th century is held in the Rubin Museum of Art
                                                             (acc.#C2005.16.44; HAR item no.55467).

                                                             Published
                                                             Roberto Vitali, Arte Himalayana, Eskenazi, Milan, 1979, no.13.
                                                             Christophe Hioco, Exhibition Catalog, Paris, 2016, pp.8-9.

                                                             Provenance
                                                             Private Collection, Germany
                                                             Christie’s, Paris, 11 June 2014, lot 373
                                                             Christophe Hioco, Paris, November 2016

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