Page 36 - Sotheby's Arcadian beauty Song Pottery Oct. 3, 2018
P. 36

The present iron calf, sturdily cast with a slightly raised head   In ancient China, buffaloes or oxen played an important role
           and an upturned mouth, epitomises the simple elegance of   in agriculture and transportation. Pottery figures of buffaloes
           the aesthetics of the Song dynasty. The patinated surface,   or oxen first appeared no later than the Han dynasty, but
           not dissimilar to that of a scholar’s rock, highlights its age   those made of metal are relatively rare. See a larger bronze
           and enhances its charm. The calf was rediscovered in the   figure of a standing ox (29.5 cm) excavated from the Tang
           Qing dynasty and was kept and cherished by the literati Ruan   tomb of Shi Siming (703-761), modelled with short straight
           family. The inscription by Ruan Heng on the old fitted wood   horns and appearing to be an adult ox, published by Beijing
           stand dates the calf to the Southern Song. It further states   Municipal Institute of Cultural Relics, ‘Beijing Fengtai Tang
           that the calf, although discovered in a tomb with a broken   Shi Siming mu [Tang Tomb of Shi Siming at Fengrai in
           leg, was nonetheless treasured by the Ruan family. The calf   Beijing]’, Chinese Cultural Relics, 1991, no. 9, p. 32 and fig. 14.
           later found its way to the artist Tomioka Tessai in Kyoto,   Compare also a bronze ox, adopting a slightly more dynamic
           who expressed his fondness in a long colophon following a   posture and dated to Song dynasty or earlier, gifted by Ernest
           painterly sketch of the amiable calf.          Erickson Foundation to the Metropolitan Museum of Art, New
                                                          York, included in Ancient Chinese Art: The Ernest Erickson
           Only a small number of ancient iron animal figures can be
           found in either public or private collections, probably due   Collection in The Metropolitan Museum of Art, New York,
           to the material’s susceptibility to rust. The present object   1987, cat. no. 59.
           can be compared to an iron ox of similar size and also with   The present figure was in the collection of Ruan Heng (1783-
           a muscular body and simple outlines, acquired in 1911 by   1859, zi Meishu, sobriquet Zhongjia, origin from Yizheng,
           Charles Lang Freer (1854-1919) in Hunan province. That   Jiangsu province, between Nanjing and Yangzhou), who
           animal appears to be an adult ox with a proportionally smaller   was the younger paternal cousin of the prominent literatary
           head. It has an oxidised surface and can be dated to the Song   figure Ruan Yuan (1764-1849). His extensive literary works
           dynasty or later.  It is preserved in the Freer Gallery of Art   in various genres were published in Chuncaotang congshu
           (accession no. F1911.590a-b), together with a parcel-gilt iron   [Collectanea from the Springtime Cottage], Zhuhucaotang
           reclining dog from the Tang dynasty gifted by John Gellatly
           (accession no. LTS1985.1.342).
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