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Samuel Putnam Avery, painted by Charles Loring Elliott in 1863.
                                     Source: https://en.wikipedia.org/wiki/Samuel_Putnam_Avery





           Samuel Putnam Avery (1822-1904)

           Lots 1 - 51


           Samuel Putnam Avery (1822-1904) was born 17 March 1822 in New   By 1844 he was married to the artist, collector, and benefactor,
           York City, a son of a leather merchant, Samuel Avery, and Hannah   Mary Ann Ogden (1825-1911), and launched a new chapter of
           Parke Avery. In 1832 his father died in a cholera epidemic, leaving the  his career the following year as an art dealer. He built a solid
           family in poverty. By 1840 he and his brother Benjamin Parke were   reputation over the next twenty years and in 1867 was appointed
           apprenticed to learn engraving on copper and were both employed   Commissioner in charge of the American Art Department of the
           by the American Bank Note Company. He and his brother then   Exposition Universelle in Paris, an important and prominent position.
           turned to wood engraving for leading publishers in New York. In the   Avery and his wife travelled to Europe annually to acquire historical
           1840s newspaper illustrations were rare, but the Mexican War of   and contemporary paintings, prints, and books, and to commission
           1845-47 created a demand for wood engravings of battle scenes,   works by living artists for either sale thought their gallery or to
           encampments, people and views in the war areas. Avery engraved   keep as part of their personal collection. In this endeavor he was
           many of the illustrations in the Weekly Herald and the New York   initially sponsored by William T. Walters (1820-1894), a Baltimore
           Herald.                                           businessman and founder of the Walters Art Gallery in Baltimore,
                                                             with whom he had a long and








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