Page 248 - 2019 September 11th Sotheby's Important Chinese Art
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           PROPERTY FROM A JAPANESE PRIVATE   Distinctive for the two repeating bands around   Compare other related examples, including
           COLLECTION                       its body, the present lot belongs to a very small   a slightly smaller bronze zun, cast with two
           A VERY RARE ARCHAIC BRONZE       group of bronzes sharing this feature produced   similar kuilong bands and raised beast masks
           RITUAL WINE VESSEL (ZUN)         in the Western Zhou dynasty. See a closely   but to the top band only, excavated in Baoji,
           WESTERN ZHOU DYNASTY             related inscribed bronze zun of a smaller size,   Shaanxi province, published in ibid., vol. 21,
                                            cast with a very similar design, formerly in the   Shanghai, 2012, no. 11521, and together with a
           well cast with a slightly bulging midsection   collection of the Qing dynasty calligrapher Qian   zun decorated with a band of kuilong and bird
           rising from a spreading foot to a trumpet neck   Dian (1744-1806), currently in the Taito City   interrupted by raised beast heads, in the Fogg
           with a flaring rim, decorated around the body in   Calligraphy Museum, Tokyo, published in Wu   Art Museum, Harvard University, Cambridge,
           low relief with two bands of confronting kuilong   Zhenfeng, Shangzhou qingtongqi mingwen ji   no. 11646; a third cast with two bird bands
           interrupted by raised beast masks, all between   tuxiang jicheng [Compendium of Inscriptions   and beast masks to the top band, illustrated
           double bowstrings, the surface with areas of   and Images of Bronzes from Shang and Zhou   in Daisy Lion-Goldschmidt and Jean-Claude
           malachite encrustation, wood stand, Japanese   Dynasties], vol. 21, Shanghai, 2012, no. 11563   Moreau-Gobard, Chinese Art: Bronze, Jade,
           wood boxes (6)                   (line drawing). An inscribed bronze zun of a   Sculpture, Ceramics, Oxford, 1980, pl. 13, and
           Height 11 in., 28 cm             smaller size, decorated with two repeating   later sold in our London rooms, 19th June 1984,
                                            kuilong bands of a different style, excavated   lot 21; and another with two bands of a slightly
           PROVENANCE                       from a Western Zhou dynasty sacrificial tomb   different design and beast masks to the top
           Collection of Hatta Seido.       near Beijing, is illustrated in ‘Excavation of the   band, published in Jung Keng, Yenching Journal
           Osaka Bijutsu Kurabu (Osaka Art Club), Osaka,   Western Chou Tombs of Immolated Slaves   of Chinese Studies. The Bronzes of Shang and
           23nd June 1928, lot 69.          at Liuliho in Fangshan County’, Kaogu, no.   Chou, vol. II, Peiping, 1941, pl. 518.
                                            5, 1974, pl. 8, fig. 4; another from the Arthur
           $100,000-150,000                 M. Sackler Foundation, was sold at Christie’s
                                            New York, 14th-15th September 2017, lot 905;   西周   青銅夔龍獸面紋尊
           The box for this lot is inscribed with a note by   and one with the kuilong design reserved on a
           Zoroku Hata in 1922.             leiwen ground, excavated from a Western Zhou   來源
                                            dynasty tomb in Xiang county, Henan province,
                                            Zhengzhou is published in Henan Provincial   八田西洞收藏
                                            Museum, ‘Excavation of the Western Chou   大阪美術俱樂部,大阪,1928年6月23
                                            Tomb at Hsianghsien, Honan Province’, Wenwu,   日,編號69
                                            no. 8, 1977, pl.4, fig. 4.
                                                                              日本盒蓋內書藏六壬戌(1922年)題識













































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