Page 54 - 2019 September 11th Sotheby's Important Chinese Art
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The present bowl triumphantly combines two   glazed in lemon-yellow, and molded with cranes
           significant innovations of the Yongzheng period:   and peaches with a single famille-rose peach at
           the famille rose palette, and lemon-yellow   the interior. A variation with a band of molded
           glazes. Technically considered an ‘enamel’ due   archaistic dragons under a translucent warm
           to its low-temperature firing requirements,   yellow glaze, sold at Christie’s Hong Kong, 19th
           lemon-yellow glaze (ningmeng huang) was   January 1988, lot 270.
           applied to a variety of porcelain wares during   The present Yongzheng design continued well
           the Yongzheng reign and is admired for its   into the 19th century. Compare a lemon-yellow-
           brilliant, opaque hue. The color is derived   glazed Jiaqing seal mark and period example
           from lead antimontate, different from the lead   in the collection of the Palace Museum, Beijing,
           stannate yellow enamels found in the famille   illustrated in The Complete Collection of
           rose palette.
                                            Treasures of the Palace Museum: Porcelains
           See two bowls of this type sold at Christie’s   with Cloisonné Enamel Decoration and Famille-
           Hong Kong: the first on 19th March 1991, lot   Rose Decoration, vol. 39, Hong Kong, 1999, pl.
           681, and again 30th November 2016, lot 3317;   179. See also a Daoguang seal mark and period
           the second on 20th March 1990, lot 794. A   example, sold at Christie’s Hong Kong, 17th
           turquoise-glazed example sold in our London   January 1989, lot 705.
           rooms, 14th November 2000, lot 169. Compare   John Allyne Gade (1875-1955) was an American
           also two monochrome-glazed bowls of the   architect, naval officer, diplomat, investment
           same form and molding from the collection of   banker, and author. Born in Massachusetts to a
           Ira and Nancy Koger, sold in these rooms, 27th   Norwegian father and American mother, Gade
           November 1990: a celadon-glazed example,   spent many of his formative years in Europe,
           lot 29, and a white-glazed example, lot 33. A   and continued to travel around the continent
           related bowl is illustrated in John Ayers, The   throughout his career. He likely acquired this
           Baur Collection: Chinese Ceramics: Painted and   bowl during these travels or during his time as
           Polychrome Ceramics of the Ch’ing Dynasty,   Commissioner to three Baltic states. The bowl
           vol. IV, pl. A 588, with rounded sides entirely
                                            has remained in his family since his acquisition.





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