Page 60 - 2019 September 11th Sotheby's Important Chinese Art
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           PROPERTY OF A GENTLEMAN                   While a profusion of new shapes for porcelain vases was
           A FINE AND RARE RU-TYPE BOTTLE VASE       already developed in the Yongzheng period, in the Qianlong
           QIANLONG SEAL MARK AND PERIOD             reign the number of variations multiplied. Geng Baochang,
                                                     Ming Qing ciqi jianding [Appraisal of Ming and Qing
           elegantly potted with a compressed globular body sweeping   porcelain], Hong Kong, 1993, pp. 259 and 263 publishes
           up to a tall cylindrical neck with a straight mouth, all   over twenty related forms of bottle vases with pear-shaped
           supported on a short splayed foot, covered overall in a thick   or globular body and tall slender neck, which often vary only
           pale blue-gray glaze suffused throughout with a fine network   minimally in profile.
           of craquelure, the foot dressed in a brown wash faithfully   Aside from the present example, two other pear-shaped
           imitating Song dynasty Ru ware, the base inscribed in   vases of Qianlong mark and period with Ru or guan-type
           underglaze blue with a six-character seal mark  glazes are in the Zande Lou Collection, both included in the
           Height 10½ in., 26.6 cm                   Shanghai Museum exhibition, Qing Imperial Monochromes:
                                                     The Zande Lou Collection, Hong Kong, 2005, cat. no. 28,
           PROVENANCE
                                                     with the neck more waisted, and cat. no. 33, with a more
           Christie’s New York, 2nd June 1989, lot 188.   cylindrical neck. The present shape, with a more depressed
           The Qianlong Emperor is famous for his fondness for   body, is otherwise very rare. Compare a closely related
           Imperial stonewares of the Song dynasty (960-1279). He not   vase sold at Christie’s Hong Kong, 25th October 1993, lot
           only collected them but also commissioned new porcelain   804. Another vase of this type with a waisted neck from the
           with similar glaze from the Imperial kilns for his appreciation.   collection of the British Rail Pension Fund was sold in our
           Under his reign, glazes imitating Jun, Ding, guan, Ge and   London rooms, 16th May 1989, lot 48; and also a smaller
           Ru wares, the five ‘official’ wares of the Song dynasty, were   vase from the J. M. Hu Collection was sold in our Hong Kong
           created to cover a range of carefully selected forms like in   rooms, 9th October 2012, lot 111.
           the present piece. The high level of skill in ‘recreating’ every
           aspect of Song ware is evidenced in the foot which has   $ 100,000-150,000
           been left unglazed and stained dark brown to imitate the
           prototype.
           For the Song prototype, compare the Southern Song Ru   清乾隆   仿汝釉荸薺瓶
           ware vase with slender neck and everted mouthrim from the   《大清乾隆年製》款
           Sir Percival David Foundation of Chinese Art at the British
           Museum, illustrated in Regina Krahl and Jessica Harrison-  來源
           Hall, The British Museum Chinese Ceramics: Highlights of the
           Sir Percival David Collection, Beijing, 2013, pl. 5.   紐約佳士得1989年6月2日,編號188





































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