Page 46 - Important Chinese Art, Sotheby's London May 15 2019
P. 46

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           PROPERTY FROM THE RUI XIU LOU COLLECTION  Notable for its abstract splash design over a lustrous black
           A RUSSET-SPLASHED BLACK-GLAZED JAR AND    glaze, jars of this type, with a sturdy ovoid body and broad
           COVER                                     straight neck enlivened by two tubular handles, were popular
                                                     in the Song dynasty and made at various kilns in northern
           NORTHERN SONG DYNASTY                     China. Black-glazed jars decorated with irregular russet
           the ovoid body rising from a short foot to a slightly tapered   splashes are discussed by Robert D. Mowry in the catalogue
           neck, flanked by a pair of lug handles, covered overall in a   to the exhibition Hare’s Fur, Tortoiseshell, and Partridge
           lustrous black glaze stopping irregularly around the base,   Feathers, Harvard University Art Museums, Cambridge, 1995,
           accentuated with russet splashes, the domed cover with a   p. 146, where he notes that vessels of this type, left unglazed
           flat rim surmounted by a button finial, similarly decorated  above the foot, have been recovered at the Cicun kilns, near
           (2)                                       Zibo in Shandong province, while those with a thin layer of
           15.5 cm, 6¼ in.                           brown glaze covering the lowest part, are more commonly
                                                     associated with kilns in Henan and Hebei province.
           PROVENANCE
                                                     A splashed jar of similar form but of slightly smaller size
           The private collection of a Japanese physician (b. 1925).    in the Meiyintang collection, is published in Regina Krahl,
           Collection of Umezawa Hikotaro, Tokyo.    Chinese Ceramics from the Meiyintang Collection, London,
           Kochukyo, Tokyo, circa 1975.              1994, vol. I, pl. 463; another was included in the exhibition
           Christie’s Hong Kong, 27th November 2013, lot 3285.
                                                     Tausend Jahre Chinesische Keramik aus Privatbesitz,
                                                     Museum für Kunst und Gewerbe, Hamburg, 1974, cat. no. 55;
           ‡ £ 60,000-80,000
           HK$ 620,000-825,000   US$ 79,000-105,000     and a third is published in Fujiō Kōyama, Tōji taikei: Temmoku
                                                     [Outlines of ceramics: Temmoku], vol. 38, Tokyo, 1974, pl.
           北宋   黑釉褐斑雙繫蓋罐                             64. A further jar of this type but of slightly smaller size, from
                                                                                     th
                                                     the Malcolm collection, was sold in these rooms, 29  March
           來源                                        1977, lot 161; and from the collection of Philip Kappel was sold
           日本醫師收藏(生於1925年)                           in our New York rooms, 4th June 1982, lot 155.
           梅澤彥太郎收藏,東京                                Traditionally referred to as guan, shuang’er guan (“double-
           壺中居,東京,購自1975年                            eared jar”) or gualeng guan (“melon jar”), this form is known
           香港佳士得2013年11月27日,編號3285                   in a variety of sizes, with or without russet splashes.









































           44      Buyers are liable to pay both the hammer price (as estimated above) and the buyer’s premium together with any applicable taxes and Artist’s Resale Right (which will depend on the individual circumstanc-
                   es). Refer to the Buying at Auction and VAT sections at the back of this catalogue for further information.
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