Page 155 - Christie's Chinese Works of Art March 24 and 25th, 2022 NYC
P. 155

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION
 1030
 AN EXCEPTIONAL AND VERY RARE LONGQUAN GUAN-TYPE   illustrated by He Li in Chinese Ceramics, A New Comprehensive Survey, New
 MALLOW-FORM DISH  York, 1996, no. 267, and the dish illustrated in the J. J. Lally & Co. exhibition
 SOUTHERN SONG DYNASTY (AD 1127-1279)  catalogue, The Collection of Dr. and Mrs. Marvin L. Gordon, Chinese Ceramics
 and Works of Art, Spring 2009, no. 23.
 The dish with a concave, shallow center is potted with wide everted mouth
 rim in the form of a mallow flower, and is covered overall in a rich greyish-blue
 glaze suffused with a network of dense icy crackles.  重要私人珍藏
 7 in. (17.7 cm.) diam., cloth box  南宋 龍泉窯仿官釉葵口盤
 來源:
 $80,000-120,000
 暫得樓胡惠春(1911-1995) 珍藏
 PROVENANCE:  出版:
 The J. M. Hu (1911-1995), Zande Lou Collection.
 Helen D. Ling及仇焱之, 《暫得樓珍藏歷代名瓷影譜》, 卷一, 香港, 1950年, 編號
 LITERATURE:  22
 Helen D. Ling and Edward T. Chow, Collection of Chinese Ceramics from the
 Pavilion of Ephemeral Attainment, vol. I, Hong Kong, 1950, no. 22.

 The glaze of this extraordinary dish is remarkable for its distinctive cool,
 greyish-blue color and for the dense suffusion of icy crackles in flake-like
 layers, which is reminiscent of some of the finest Guan glazes. R. Scott notes
 in 'Guan or Ge Ware: A re-examination of some pieces in the Percival David
 Foundation', Oriental Art, Summer 1993, Vol. XXXIX, no. 2, pp. 16-19, that the
 Longquan kiln specialist Professor Zhu Boqian has suggested that the the
 kilns began to make crackled wares perhaps about 1200, in imitation of the
 wares produced at Jiaotanxia. According to excavation reports, places where
 these Longquan Guan-type wares were made include Xinting, Aodi and
 Shanshu Lianshan in Dayao county, and Wayaoqing, Kulouwan and Lijiashan
 in Xikou county. See Catalogue of the Special Exhibition of Sung Dynasty
 Kuan Ware, National Palace Museum, Taipei, 1989, p. 30.

 This dish is not only distinguished by its beautiful glaze, but also by its rare
 and elegant shape suggestive of a mallow flower. A Longquan dish of similar
 shape, but with the rim divided into six petal lobes, rather than seven as on
 the current dish, and the glaze without crackle, is illustrated by R. Krahl in
 Chinese Ceramics from the Meiyintang Collection, Volume Three (II), London,
 2006, p. 581, no. 1570. Other Longquan dishes with lobed rims divided
 into six petals include the dish in the Asian Art Museum of San Francisco,   (label on box)






























 The present dish illustrated by H. D. Ling and E. T. Chow in Collection of Chinese Ceramics from the Pavilion of Ephemeral Attainment, vol. I, Hong Kong, 1950, no. 22.
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