Page 60 - Christie's Chinese Works of Art March 24 and 25th, 2022 NYC
P. 60

PROPERTY FROM AN IMPORTANT JAPANESE
                                                        COLLECTION
                                                       ⱷ735                                                                      Path of Chinese Buddhist Sculpture),Tokyo, 1995, vol. 1, pl. 296, where it is dated
                                                        A GILT-BRONZE HEAD OF BUDDHA    重要日本私人珍藏                                 Western Wei (AD 535-556), as it is by Jin Shen in Zhongguo lida; jinian foxiang
                                                        NORTHERN WEI DYNASTY (AD 386-535)  北魏 銅鎏金佛首                              tudian (Illustrated Chinese Buddha Images through the Ages), Beijing, 1995,
                                                       The oval face is cast with a serene expression,   來源:                     p. 216, no. 158. Not only are the robes, scarves and necklace similar, but also
                                                       flanked by long pendulous ear lobes beneath the                           the shape and features of the face and the crown with trailing ribbons. Like the
                                                       hair neatly arranged in tight curls.   重要日本私人珍藏, 入藏於1968年前,               current figure, the bodhisattva in the published group stands on a lotus base, but
                                                                                        後家族傳承                                    is surrounded by subsidiary figures, all raised on a stand with open sides that
                                                       1Ω in. (3.9 cm.) high, softwood stand, Japanese                           is inscribed with a dedicatory inscription by Kang Sheng dated to AD 539. A
                                                       wood box                         展覽:                                      similar gilt-bronze figure with nearly identical treatement of robes and scarves
                                                                                        香川県, 香川県文化會館, 「日本美術                      was sold at Christie's New York, Treasures of the Noble Path: Early Buddhist Art
                                                       $8,000-12,000                    の源流: 古代中國美術」, 1968年                      from Japanese Collections, 14 September 2017, lot 812.
                                                                                        大阪, 大阪市立美術館, 「六朝の美
                                                        PROVENANCE:                     術」, 1975年10月10日-11月9日
                                                       Important private Japanese collection, prior to                           重要日本私́珍藏
                                                       1968, and thence by descent within the family.  愛知県美術館, 「Hidden 3000
                                                                                        Years – Asian Art Culture」, 4月17         ٫魏ǎ永安˕年	   年
ǎ銅菩薩⒤像
                                                        EXHIBITED:                      日-5月5日, 年份未知                             Ϝ源
                                                       Kagawa Prefecture, Kagawa Prefectural
                                                       Cultural Hall, Ancient Chinese Art - The Origin of   出版:                  重要日本私́珍藏
 Ն藏於    年ע
 後家族ҷ承
                                                       Japanese Art, 1968.              《日本美術の源流:古代中國美術》,                        展覽
                                                       Osaka, The Osaka City Museum of Fine   香川県, 1968年, 編號F9                   香川⇑
 香川⇑文٪會館
 Ǚ日本美術の源流  ۵代中४美術ǚ
     年
                                                       Arts, Art of the Six Dynasties, 10 October- 9   大阪市立美術館, 《六朝の美術》, 大
                                                       November 1975.                   阪, 1975年, 編號3-164                        ૯阪
 ૯阪市⒤美術館
 Ǚ中४ṷ教雕像ǚ
     年  月 日   月  日
                                                       Aichi, Aichi Prefectural Museum of Art, Hidden                            東̺
 ૯和文華館
 Ǚṁ別展:中४の金銅ṷǚ
     年  月 日   月 日
                                                       3000 Years- Asian Art Culture, 17 April-5 May   愛知県美術館, 《Hidden 3000      ֨ḛ
                                                       (year unknown).                  Years – Asian Art Culture》, 年
                                                                                        份未知                                      美術研②所
 Ǘ美術研②ǘ
     年
 圖Ḛ編號
                                                        LITERATURE:                                                              松原˕郎
 Ǘ中४ṷ教雕ח史研②ǘ
 東̺
     年
 編號    $ 及圖Ḛ編號    
 頁
                                                       Ancient Chinese Art - The Origin of Japanese Art,
                                                       Kagawa, 1968, F9.
                                                       Osaka City Museum, Chinese Art from Six                                   Ǘ日本美術の源流:۵代中४美術ǘ
 香川⇑
     年
 編號'
                                                       dynasties,1975, no. 3-164.                                                ૯阪市⒤美術館
 Ǘ中४ṷ教雕像ǘ
 ૯阪
     年
 頁  
 編號
                                                       Aichi Prefectural Museum of Art, Hidden 3000                              和泉市久Л惣〦念美術館
 ǗՍ朝时代の金銅ṷǘ
 和泉市
     年
 編號
                                                       Years- Asian Art Culture. (year unknown)
                                                                                                                                 ૯和文華
 Ǘṁ別展:中४ⅲ金銅ṷǘ
 東̺
     年
 編號


                              735



          PROPERTY FROM AN IMPORTANT JAPANESE COLLECTION
          ⱷ736
                                                              LITERATURE:
          A BRONZE FIGURE OF A STANDING BODHISATTVA           Bijutsu Kenkyu, Institute of Art Research, 1958, fig. 16.
          NORTHERN WEI DYNASTY, DATED BY INSCRIPTION TO AD 530
                                                              Matsubara Saburo, Research on Chinese Buddhist Sculpture History, 1961, no.
          The figure is shown standing on a lotus base, with the right hand holding a   80 C and fig. 101, p. 124.
          section of the long, looped necklace gathered by a disk, and the left hand holding   Ancient Chinese Art - The Origin of Japanese Art, Kagawa, 1968,  F9.
          the scarf draped over the left arm, while the ends of the robes and the scarves   Osaka City Museum, Chinese Buddhist Sculptures, Osaka, 1984, p. 61, no. 89.
          flare out to the sides. The face is cast with a gentle expression, and is framed by   Kuboso Memorial Museum of Arts, Gilt Bronze Buddha in Six Dynasties, Izumi,
          the ribbons that trail from the crown decorated with three globular 'jewels'.  1991, no. 91.
          5æ in. (14.5 cm.) high, Japanese fitted zitan box   Yamato Bunkakan, Chinese Gilt Bronze Statues of Buddhism, Tokyo, 1992, no. 29.
                                                              The treatment of the figure's robes and scarves, which flare outward in an
          $10,000-15,000
                                                              animated fashion from the sides, is one of the distinctive styles seen during
          PROVENANCE:                                         the Northern Wei, Eastern Wei and Western Wei periods. A similar treatment
          Important private Japanese collection, prior to 1994, and thence by descent   of the robes, with flaring, wing-tipped drapery, can be seen on the figure
          within the family.                                  of a gilt-bronze luohan (14.6 cm. high) in the Fogg Museum, Cambridge,
                                                              illustrated by H. Munsterberg, Chinese Buddhist Bronzes, Vermont/Tokyo,
          EXHIBITED:                                          1967, frontispiece, where it is dated Northern Wei dynasty. This depiction           736 (inscription)
          Kagawa Prefecture, Kagawa Prefectural Cultural Hall, Ancient Chinese Art   of the robes and scarves creates an abstract, linear pattern that obscures
          - The Origin of Japanese Art, 1968.                 the body. The current figure is very similar to another bodhisattva which
          Osaka City Museum, Chinese Buddhist Sculptures, 6 Oct - 11 Nov, 1984.  forms the center of a complex votive group in the Art Institute of Chicago,
          Tokyo, Yamato Bunkakan, Chinese Gilt Bronze Statues of Buddhism, 2 Oct - 8   illustrated by Matsubara Saburo in Chugoku Bukkyo Chokokushi ron (The
          Nov, 1992.

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