Page 152 - Bonhams Fine Japanese Art London November 2018
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           A prolific painter, print-designer, and illustrator, Ogata Gekko is perhaps   For the closest published version of the Kamo horse race, compare
           best known today for his stirring propaganda prints depicting the   a pair of chubyobu (two-thirds size) screens in the Suntory Museum
           success of the imperial forces in the Sino-Japanese War (1894-1895),   of Art, dated by Sakakibara Satoru to the Kanbun era (1661-1673).
           but he was an accomplished artist in many different styles and genres.   As Sakakibara notes, over time the religious and ceremonial aspects
           Self-taught in art (although strongly influenced by Kikuchi Yosai), he is   of the Kamo races became less important and the shrine itself
           said to have started his career decorating porcelain but he soon rose in   consequently no longer needed to occupy the whole of the left-hand
           status, joining leading painting societies and exhibition juries and moving  screen as in earlier examples. Held every year on the fifth day of the
           in the same circles as the influential American pundit Ernest Fenollosa   fifth month, the event became more of a straightforward entertainment,
           and the cultural ideologue Okakura Kakuzo. Following the success   as the present lively version attests; see Takeda Tsuneo and others,
           of his war prints, Gekko was selected to exhibit large-scale figural   Nihon byobu-e shusei (Compendium of Japanese Screen Painting),
           compositions at several international expositions including Chicago   vol. 13, Fuzokuga: Sairei, kabuki (Genre Painting: Ceremonies and
           (1893), Paris (1900), and London (1910).          Kabuki), Tokyo, Kodansha, 1978, cat. nos.27-28, 29-30 and p.95.
           272 TP
           ARTIST UNKNOWN, TOSA SCHOOL
           Edo period (1615-1868), second half of the 17th century
           The right-hand of a pair of six-panel folding screens, ink and colours
           on gold paper, depicting a panorama of the annual horse race at the
           Kamigamo (Upper Kamo) Shrine with five mounted participants and
           numerous extravagantly dressed spectators and revellers on both
           sides of the racetrack, including courtiers, samurai and members
           of the townsman class, amongst temples, shrines and viewing and
           performance platforms set against a background of the Kamo River
           and distant hills interspersed with gold clouds. 171.5cm x 370cm
           (67½in x 145¾in).

           £3,000 - 5,000
           JPY450,000 - 740,000
           US$4,000 - 6,600
                                                    For details of the charges payable in addition to the final Hammer Price of each Lot
           150  |  BONHAMS                          please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
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