Page 25 - Bonhams Fine Japanese Art London November 2018
P. 25

INRO
           Various Properties
           44
           A BLACK-LACQUER FIVE-CASE INRO
           By Koma Bunsai, Edo period (1615-1868), mid-19th
           century
           Of upright form, bearing a rich roiro ground, lacquered with
           scattered maru-ni-onigashiwa mon of the Makino family
           of Tanabe among scattered formal flowerheads, in gold
           takamaki-e and zogan-nuri, the interior of nashiji with kinji
           edges, signed in a red gourd-shaped reserve Bunsai; with a
           gilt metal and enamel filigree ojime; unsigned.
           9.5cm (3¾in) high.
           £7,000 - 9,000
           JPY1,000,000 - 1,300,000
           US$9,300 - 12,000
           Provenance
           Edward Gilbertson collection.
           R. A. Pfungst collection.
           Demaree and Dorothy Bess collection.
           Charles A. Greenfield collection, no.205.
           Purchased from Eskenazi Ltd., London, 1990.
           Edward Wrangham collection, no.2001.

           Published
           Harold P. Stern, The Magnificent Three, Lacquer, Netsuke                 44
           and Tsuba, Japan Society, New York, 1972, inro no.30.
           A. J. Pekarik, Japanese Lacquer, 1600-1900, The
           Metropolitan Museum of Art, New York, 1980, no.45.
           E. A. Wrangham, The Index of Inro Artists, Harehope,
           Northumberland, 1995, p.32, Bunsai, Koma, right.

           Exhibited
           The Burlington Fine Arts Club, London, 1894, case XIII,
           no.31A.
           Japan Society Gallery, New York, 1972.
           The Metropolitan Museum of Art, New York, 1980.

           The technique used on the smaller mon is zogan-nuri,
           which simulates cloisonné enamel by applying fine gold
           or silver wire.
           45
           A BLACK-LACQUER FOUR-CASE INRO
           By Tsuchida Soetsu, (1660-1745), Edo period (1615-1868),
           early 18th century
           Of oval form, bearing a roiro ground, lacquered and inlaid
           with a broad hat, staff and sack resting on the ground, the
           reverse with an ancient willow tree by a stream, in gold
           takamaki-e and togidashi maki-e, the staff of inlaid mother-
           of-pearl and the interior of nashiji; signed Tsuchida Soetsu
           with a kao. 7.6cm (3in) high.
           £1,200 - 1,500
           JPY180,000 - 220,000
           US$1,600 - 2,000
           Provenance
           W. W. Winkworth collection.
           Carlo Monzino collection.


                                                                                    45




           For details of the charges payable in addition to the final Hammer Price of each Lot
           please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.  FINE JAPANESE ART  |  23
   20   21   22   23   24   25   26   27   28   29   30