Page 18 - Bonhams Catalog Cohen and Cohen Jan 24, 2023 New York
P. 18

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           A FAMILLE ROSE, IRON-RED AND GILT OCTAGONAL BOX AND   Provenance:
           DOMED COVER                                       John Berwald, London
           Qianlong-Jiaqing period, circa 1790-1810
           Brightly decorated in ‘rose’ enamels with single flower sprigs and   Published:
           butterflies to a large octagonal, lightly domed panel on the cover   Cohen & Cohen, The Elephant in the Room, Antwerp, 2019, pp. 22-
           exterior and centered by an iron-red and gilt roundel of two flying   23, no. 9
           cranes, the panel surrounded by a band of gilt scrolling lotus or
           hibiscus above a thin band of diaper cell between molded gilt lines   來源:
           at the rim, the exterior of the box painted with eight composite floral   倫敦John Berwald古董行
           groupings above a further diaper cell band at the stepped foot, the
           interiors of the box and cover similarly painted with loose flower sprigs   出版:
           and butterflies.                                  倫敦Cohen & Cohen古董行,《The Elephant in the Room》,安特衛
           10 1/4in (27.5cm) across                          普,2019年,頁22-23,圖版編號9(定 雍正/乾隆時期)
           $7,000 - 10,000                                   This rare box form may have been made for the Chinese market. The
                                                             central roundel on the lid is of two facing cranes in flight, one carrying
           乾嘉時期 約1790-1810年 粉彩礬紅描金花蝶紋八方蓋盒                    the sacred fungus, lingzhi, a pun for ‘may the crane and the fungus
                                                             extend your years.” The crane (he) is a symbol of immortality and high
                                                             rank. The crane is also a pun for “together.” Additional meanings are
                                                             associated with cranes when seen with various flowers as depicted on
                                                             this piece. (See Bartholomew, 2006, 5.6.1 and 7.13.2.)

                                                             For an identically molded octagonal box and cover dated to the
                                                             Yongzheng period (1723-35) and painted with grisaille panels on dense
                                                             multi-colored cell grounds to the sides and the eight Daoist immortals
                                                             to the cover centered by a yin-yang symbol, see Cohen & Cohen,
                                                             Tiptoe Through the Tulipieres, Hong Kong, 2008, pp. 24-25, no. 17.


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