Page 254 - Bonhams Catalog Cohen and Cohen Jan 24, 2023 New York
P. 254

(interior detail)




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           A RARE, FINE AND LARGE FAMILLE ROSE ‘HUNTING’ AND   Fox-hunting scenes were popular decoration on punch bowls
           ‘SHIP’ PUNCH BOWL                                 manufactured at China’s ‘porcelain city’, Jingdezhen in Jiangxi
           Qianlong period, circa 1785                       Province, for both the English and American markets in the 18th
           The exterior boldly and brightly enameled all round with two panels   century. The scenes are undoubtedly derived from specific European
           within scroll work and dragon heads containing fox-hunting scenes   prints in the first instance but have been recopied many times.
           depicting ‘The Chase’ separated by dense grounds of iron-red and gilt   Although the precise source cannot always be found, the general
           Y-pattern, the interior very unusually depicting a full-masted East India   arrangement is very consistent, basically comprising scenes of ‘the
           Company merchant ship sailing in calm waters of a lightly delineated   Meet’, ‘the Chase’ and ‘the Kill’. The source of the English hunting
           coastline and framed by an elaborate border of cell diaper pattern,   engravings may ultimately be Thomas Burford (1710-1774) after
           scroll work and flower heads, a border of scrolling leaves and flowers   James Seymour (1702-1752). The ship depicted on the interior of
           around the tapering foot.                         this rare bowl is a very unusual maritime feature, as almost always a
           15 1/2in (39cm) diam                              hunting bowl’s interior scene also depicts a further aspect of the hunt.
           $15,000 - 20,000                                  References: Cohen & Cohen 2007, nos. 32 and 33, pp. 54-57, with a
                                                             discussion of images of fox hunting on two bowls, recording that some
           乾隆時期 約1785年 粉彩描金《狩獵》《船艦》潘趣大酒碗                     views are almost certainly derived from hunting prints by P.C. Canot
                                                             after paintings by James Seymour; Litzenburg 2003, p. 211, no. 213,
           Published:                                        for a plate and sugar bowl with a very similar ship.
           Cohen & Cohen, Take Two!, Antwerp, 2017, pp. 138-139, no. 56, prior
           to the discovery of the ‘ghost’ flag (p. 138 mistakenly numbered as p.
           380)
           出版:
           倫敦Cohen & Cohen古董行,《Take Two!》,安特衛普,2017年,
           頁138-139,圖版編號56,著於發現《幽靈旗》之前(頁138誤寫為
           頁380)






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