Page 178 - Bonhams FINE CHINESE ART London November 2 2021
P. 178

336
                                                             MANNER OF LI KERAN (1907-1989)
                                                             Buffalo and Boy
                                                             Ink on paper, signed, one seal of the artist, framed and glazed.
                                                             70cm (27 1/2in) x 41cm (16 1/8in).

                                                             £3,000 - 5,000
                                                             CNY27,000 - 45,000

                                                             李可染(款) 童子牧牛圖 紙本設色 鏡框裝裱

                                                             Provenance: Max Morris (1910-2017), acquired in China in 1957,
                                                             and thence by descent

                                                             Published and Exhibited: Herbert Art Gallery and Museum, Modern
                                                             Chinese Paintings from the Hafkin and Other Collections, Coventry,
                                                             11 July - 9 August 1964, no.42.

                                                             來源:Max Morris(1910-2017)舊藏,於1957年購自中國,並由後
                                                             人保存迄今

                                                             展覽著錄:赫伯特藝術博物館,《Modern Chinese Paintings from the
                                                             Hafkin and Other Collections》,考文垂,1964年7月11日-8月9日,
                                                             編號42

                                                             Li Keran painted the subject of a herd boy and buffalo on countless
                                                             occasions over the course of his long career, becoming a signature
                                                             subject in his oeuvre. On the surface, the depiction of water buffalo or
                                                             oxen with a herd boy companion appears as a benign depiction of the
           336                                               rural lifestyle. However, the subject is tied to the cultural milieu of 20th
                                                             century China, as the artist’s depiction is an implicit reference to Lu
                                                             Xun’s (1881-1936) writings in the 1930’s when he compares himself to
                                                             a buffalo: ‘willingly I become a buffalo for the sake of the children’ (俯
                                                             首甘為孺子牛), as well as Guo Moruo’s (1892-1978) essay ‘In Praise
                                                             of Water Buffalo’ (水牛贊), where Guo suggests that the water buffalo
                                                             should be embraced as a national emblem of strength and humble, yet
                                                             hard work. See a related painting by Li Keran of a water buffalo and
                                                             boy, illustrated by S.Little and J.M.L.Barrett, New Songs on Ancient
                                                             Tunes: 19th-20th Century Chinese Paintings and Calligraphy from the
                                                             Richard Fabian Collection, Honolulu, 2007, pp.592-593.


                                                             337  Y
                                                             ATTRIBUTED TO WANG TINGYUAN (1716-?)
                                                             Scholar in the Mountains
                                                             Hanging scroll, ink and colour on silk, calligraphic inscription, with
                                                             signature and two seals of the artist, dated to the Guiwei year
                                                             (corresponding to 1763), with hardwood rollers.
                                                             153cm (60 1/4in) long.

                                                             £3,000 - 5,000
                                                             CNY27,000 - 45,000

                                                             王廷元(款) 春山行旅圖 絹本設色 立軸裝裱

                                                             Provenance: an English private collection

                                                             來源:英國私人收藏

                                                             Little is known about Wang Tingyuan (1716-?), zi Zanming, except that
                                                             he was active around Suzhou, was good at painting landscapes in the
                                                             classical style, and died prematurely.






           337
                                                  For details of the charges payable in addition to the final Hammer Price of each Lot
           176  |  BONHAMS                        please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
   173   174   175   176   177   178   179   180   181   182   183