Page 96 - Saturday At Sothebys Chinese Art
P. 96

CHINESE WORKS OF ART FROM THE COLLECTION


           OF STEPHEN JUNKUNC, III  LOTS 1533-1548



           There are a handful of names in the   emigrated to Chicago, Illinois as a   after having happened upon a book on
           world of Chinese art that are inextricably   young child, where his father Stephen   Chinese art. It is perhaps no coincidence
           associated with works of exceptional   Junkunc, II (d. 1948), a tool-and-die   that Junkunc’s initial collecting activity
           quality. Stephen Junkunc, III is amongst   maker, founded General Machinery &   largely coincided with the establishment
           these luminaries. The name itself is   Manufacturing Company in 1918. The   of the Chicago branch of the reputable
           instantly evocative of a period during   company specialized in the manufacture   Japanese dealer Yamanaka & Co., Ltd.,
           which some of the greatest Chinese   of metal stampings for casket hardware.   who opened a gallery at 846 North
           treasures came to America. The   With the outbreak of World War II, General   Michigan Boulevard in 1928. Many of
           Junkunc name today serves as one   Machinery converted its shop for the war   Junkunc’s early purchases came from
           of the most important, and indeed   effort and began manufacturing various   Yamanaka, and before long, he was buying
           desirable, provenances for Chinese   aircraft parts, including B-29 hydraulic   directly from the leading London dealers
           art. Formed in America in the mid-  spools on behalf of Ford Motor Company,   specializing in Chinese art: Bluett & Sons,
           20th century, by Stephen Junkunc, III   who was sub-contracting work from   W. Dickinson & Sons, H.R.N. Norton and,
           (d. 1978) the Junkunc Collection at its   engine maker Pratt & Whitney.  of course, John Sparks, seeking fine
           height numbered over 2,000 examples   Alongside his role as manager and   examples of porcelain for his collection.
           of exceptional Chinese porcelain,   part owner of the company, Stephen   The collection of Chinese ceramics
           jade, bronzes, paintings and Buddhist   Junkunc, III spent his free time forming   from the Junkunc Collection ranks
           sculptures; serving as a testament to   an extraordinary collection of Chinese   amongst the greatest assemblages of
           a period of unprecedented wealth of   art. With an unabated hunger for   porcelain ever formed in the West. The
           Chinese material available in the West,   knowledge, Junkunc was a voracious   collection included two examples of the
           as well as to an astounding intellectual   reader who studied the Chinese   fabled Ru ware, of which only eighty-seven
           curiosity and the means with which to buy   language and kept extensive libraries of   examples in the world are known. These
           internationally from the leading dealers in   Chinese art reference books and auction   two dishes represented two of the only
           the field.                       catalogues at both his home and office.    seven examples of Ru ware to have been
              Stephen Junkunc, III was born in   Junkunc appears to have made his first   offered at auction since the 1940s. One
           Budapest, Hungary circa 1905, and   acquisitions in the early 1930s, apparently   of the Ru dishes, purchased from C.T.
                                                                              Loo in 1941, set a new world record when
                                                                              it sold at auction for $1.6 million in New
                                                                              York in 1992, and is today in the esteemed
                                                                              collection of Au Bak Ling.
                                                                                 By the early 1950s, Junkunc had
                                                                              amassed an impressive collection of
                                                                              Chinese works of art which by then was
                                                                              largely securely stored in the museum-
                                                                              like environs of a subterranean bomb
                                                                              shelter in the grounds of his home in
                                                                              Oak Park, Illinois. In a 1952 profile in the
                                                                              Chicago Tribune, the bunker is described
                                                                              as storing a ‘priceless hoard’, with ‘shelves
                                                                              weighted with priceless pieces of Chinese
                                                                              art, prizes produced thru [sic] a span of
                                                                              centuries. A record of a nation in tapestry,
                                                                              bronze, jade, pottery, robes, and lacquer’.
                                                                              Junkunc continued purchasing and
                                                                              studying Chinese art until his death in
                                                                              1978, whereupon the collection passed
                                                                              to his son Stephen Junkunc IV and has
                                                                              remained in the family collection.
           Stephen Junkunc photographed with his collection, illustrated in The Chicago Tribune, 7th September 1952
           史蒂芬•瓊肯三世與其收藏合照,刊於《芝加哥論壇報》,1952年9月7日
           94      SOTHEBY’S          SATURDAY AT SOTHEBYS: ASIAN ART
   91   92   93   94   95   96   97   98   99   100   101