Page 145 - Christie's Fine Chinese Paintings March 19 2019 Auction
P. 145

PROPERTY FROM A PRIVATE NORTH CAROLINA COLLECTION
          1659
          A PAIR OF PALE BEIGE-GROUND SILK
          EMBROIDERED PANELS
          18TH CENTURY
          The frst is woven with a lady with hair fastened with a phoenix
          pin seated at a trestle-leg table holding a brush in her right hand
          and securing the painting with her right, with a boy beside her
          reading and an attendant in the foreground. The other is similarly
          decorated with the lady at a painting table beside three attendants.
          Both are set in landscapes of various trees and blue-outlined rocks,
          and fnely embroidered in shades of green, brown, blue and yellow,
          with some details in black ink.
                                                  (2)
          $7,000-10,000

          The fne quality of the present pair of panels can be compared
          to a Kangxi-period embroidered panel depicting the farewell of
          two lovers, illustrated in The Complete Collection of Treasures
          of the Palace Museum - 52 - Embroidered Pictures, Hong Kong,
          2005, no. 51. The Palace Museum embroidery has similar trees,
          clouds and blue-shaded rocks as are found on the present panel.
          The pagoda depicted in the Palace Museum panel shows fne
          attention to detail, such as the mountains decorating the outside
          of the balcony, and the screen in the distance of the back of the
          pagoda: this level of detail is similar to the faux marble depicted
          on the painting table on one of the present panels. This similarly
          detailed workmanship suggests that the present panels also
          date to the early 18th century, and were also made in the Imperial
          workshops. The present panels are also similar to a group of eight
          Qianlong-period embroideries, also in the collection of the Palace
          Museum, Beijing, illustrated ibid., no. 54. This group of panels
          have sinewy clouds and thickly-outlined blue rocks similar to
          those on the present panels.
          The present panels also bear resemblance to the Gu Family
          embroideries from the 17th-18th centuries, particularly in the
          inspiration they take from the subtleties of Chinese panting. The
          subtle shading found in the rocks and fne silk thread found in the
          present panels are also characteristic of Gu Family embroideries.
          Compare the Gu Family embroidered silk panel sold at Christie’s
          New York, 17-18 March 2016, lot 1386.
          清十八世紀    米黃地繡仕女圖屏一對




          PROPERTY FROM A PRIVATE AMERICAN COLLECTION
          1660
          A CHINESE EXPORT WHITE SILK-GROUND
          EMBROIDERED PANEL
          GUANGXU PERIOD (1875-1908)
          The panel is fnely embroidered in multi-colored silk threads with
          a central large golden pheasant perched on a rock surrounded
          by pairs of fnches and quail perched on trees amidst prunus, lily,
          peony and bamboo. The rocks and fowers are fnely worked in
          couched gold-wrapped threads; now mounted as a scroll.
          With mounts: 139Ω in. x 50 in. (354.3 x 127 cm.)
          $10,000-15,000

          PROVENANCE
          Linda Wrigglesworth Ltd., London, 2000.
          清光緒   刺繡花鳥圖屏
                                                                                     1660

                                                                                                             143
   140   141   142   143   144   145   146   147   148   149   150