Page 164 - March 23 2022 Boinghams NYC Indian and Himalayan Art
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          AN ILLUSTRATION FROM A HARIVAMSA
          SERIES: THE DEMON NIKUMBHA KIDNAPS THE
          PRINCESS BHANUMATI
          NORTH INDIA, PUNJAB HILLS, KANGRA, ATTRIBUTED
          TO PURKHU, CIRCA 1820
          Folio 14Ω x 18Ωin. (36.9 x 47cm.)
          Image 12 x 16Ωin. (32.5 x 42cm.)
          $30,000-50,000
          PROVENANCE:
          Royal Mandi Collection.
          Private Collection, Germany, by repute.
          This painting depicts a famous scene from chapter 2.90 of
          the  Harivamsa,  or  The  Genealogy  of  Hari.  The  Harivamsa
          is a work in three chapters, appended to the great epic the
          Mahabharata.  The  red-skinned  demon  Nikumbha  carries
          off princess Bhanumati much to the distress of the Yadava
          ladies,  Vasudeva  in  green  and  Ugrasena  in  pink  realising
          that Bhanumati has been kidnapped set off in their chariots
          to  ask  Krishna  for  help.  Our  painting  skillfully  depicts  the
          continuous narrative to great effect, showing Nikumbha and
          Krishna at various stages of their dynamic combat.

          The  saga  of  Nikumbha  is  one  that  the  painters  of  this
          Harivamsa series have relished illustrating as it affords many
          opportunities to depict dynamic action. A painting published
          in Simon Ray, Indian & Islamic Works of Art catalogue, 2010,
          pp.102-103,  cat.no.45,  depicts  a  battle  to  rescue  the  three
          abducted  daughters  of  the  pious  Brahmin,  Brahmadatta.
          The painting shows three identical versions of the multiplied
          demon king carrying the limp bodies of the three daughters
          in the midst of battle. In the narrative of the Harivamsa, this is
          a scene anterior to the abduction of Bhanumati.
          The artist Purkhu is noted for his lyrical depictions of clouds
          with expressive swirling shapes rendered in multiple colors,
          often  outlined  in  orange.  A  further  painting  ascribed  to
          Purkhu  depicting  Indra  consulting  with  his  preceptor  has
          similar expressive cloud forms which Goswamy and Fischer
          describe as ‘wonderfully inventive.' Purkhu is also noted for
          his complex compositions of architectural structures which
          appear at several different angles flowing with the narrative
          of the scene. Similarly sweeping architectural compositions
          can be seen in the Mahabharata series attributed to Purkhu;
          a  painting  from  this  Mahabharata  series  recently  sold  at
          Christie’s New York 22 September 2021, lot 461 for $112,500.
          Other pages from the Harivamsa series share a remarkably
          similar  composition,  and  given  the  epics'  relation  to  each
          other,  it  is  possible  they  were  produced  under  the  same
          commission. For further biography on Purkhu and discussion
          of  his  works,  see  B.N.  Goswamy  and  E.  Fischer,  Pahari
          Masters, New Delhi, 2009 (reprint), pp. 368-387.






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